A bibliography of criticism on To the Lighthouse
id | author | title | volume | edition | editor | location | publisher | year | pages | view citation |
---|---|---|---|---|---|---|---|---|---|---|
1 | Abe, Masahiko | Nemusa: Vājinia Urufu Tōdai e. | Eigo Seinen/Rising Generation | 154.9 | N/A | N/A | N/A | 2008 | 524-528 | Citation 1 |
2 | Abel, Elizabeth | Cam the Wicked’: Woolf’s Portrait of the Artist as Her Father’s Daughter. | Virginia Woolf and Bloomsbury: A Centenary Celebration | N/A | Ed. Jane Marcus | Bloomington | Indiana UP | 1987 | 170-194 | Citation 2 |
3 | Adolphs, Svenja, Ronald Carter | Point of View and Semantic Prosodies in Virginia Woolf’s To the Lighthouse. | Poetica: An International Journal of Linguistic-Literary Studies | 58 | N/A | N/A | N/A | 2002 | 7-20 | Citation 3 |
4 | Albrinck, Meg. | Lily the Ethnographer: Discovering Self in To the Lighthouse. | Woolf and the Art of Exploration: Selected Papers from the Fifteenth International Conference on Virginia Woolf | N/A | Ed. Helen Southworth, Elisa Kay Sparks, and Rishona Zimring. | Clemson, SC | Clemson University Digital | 2006 | 196-202 | Citation 4 |
5 | Allen, Annette C. | A Phenomenological Exploration of Time, Self, and Narrative in the Major Novels of Virginia Woolf | N/A | 49.7 | N/A | N/A | Dissertation Abstracts International | 1989 | 1806A | Citation 5 |
6 | Allen, William Rodney | Woolf’s To the Lighthouse. | Explicator | 47.3 | N/A | N/A | N/A | 1989 | 37-38 | Citation 6 |
7 | Anderson, Idris Baker | The Optative in the Narrative Style of To the Lighthouse | Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf | N/A | Laura Davis, Jeanette McVicker, and Jeanne Dubino | New York, NY | Pace UP | 1998 | 195-201 | Citation 7 |
8 | Andrés Cuevas, Isabel Ma. | “The Swaying Pig and the Toothless Lady: The Role of the Grotesque in Virginia Woolf’s To the Lighthouse.” | Proceedings of the 30th International Conference of AEDEAN. | N/A | Ed. María Losada Friend, et al. | Huelva, Spain: | Universidad de Huelva, | 2007 | (no pagination). | Citation 8 |
9 | Anspaugh, Kelly. | Circe Resartus: To the Lighthouse and William Browne of Tavistock’s Circe and Ulysses Masque. | Virginia Woolf: Reading the Renaissance. | N/A | Ed. Sally Greene. | Athens, OH | Ohio UP, | 1999 | 161-91. | Citation 9 |
10 | Anspaugh, Kelly. | Traveling To the Lighthouse with Woolf and Johnson. | Virginia Woolf Miscellany | 45 | N/A | N/A | N/A | 1995 | 4-5. | Citation 10 |
11 | Asher, Evelyn Westermann. | The Fragility of the Self in Virginia Woolf’s To the Lighthouse and Christa Wolf’s Nachdenken über Christa T. | Journal of Comparative Literature and Aesthetics | 15.1-2 | N/A | N/A | N/A | 2002 | 49-65. | Citation 11 |
12 | Baldanza, Frank. | To the Lighthouse Again. | PMLA: Publications of the Modern Language Association of America | 70.3 | N/A | N/A | N/A | 1955 | 548-52. | Citation 12 |
13 | Banfield, Ann. | Time Passes: Virginia Woolf, Post-Impressionism, and Cambridge Time. | Poetics Today | 24.3 | N/A | N/A | N/A | 2003 | 471-516. | Citation 13 |
14 | Banfield, Ann. | Tragic Time: The Problem of the Future in Cambridge Philosophy and To the Lighthouse. | Modernism/Modernity | 7.1 | N/A | N/A | N/A | 2000 | 43-75. | Citation 14 |
15 | Baróthy, Judit. | The Androgynous Mind: A Contrastive Analysis of Virginia Woolf’s To the Lighthouse and Boris Pasternak’s Zhenya Luvers’ Childhood. | AnaChronist | N/A | N/A | N/A | N/A | 1996 | 79-97. | Citation 15 |
16 | Barrett, Eileen. | The Language of Fabric in To the Lighthouse. | Approaches to Teaching Woolf’s To the Lighthouse. | N/A | Ed. Beth Rigel Daugherty and Mary Beth Pringle. | New York, NY: | Modern Language Association of America, | 2001 | 54-59. | Citation 16 |
17 | Barzilai, Shuli. | The Politics of Quotation in To the Lighthouse: Mrs. Woolf Resites Mr. Tennyson and Mr. Cowper. | Literature and Psychology | 41.3 | N/A | N/A | N/A | 1995 | 22-43. | Citation 17 |
18 | Bassoff, Bruce. | Tables in Trees: Realism in To the Lighthouse. | Studies in the Novel | 16.4 | N/A | N/A | N/A | 1984 | 424-434. | Citation 18 |
19 | Bate, Jonathan. | Arcadia and Armageddon: Three English Novelists and the First World War. | Etudes Anglaises: Grande-Bretagne, Etats-Unis | 39.2 | N/A | N/A | N/A | 1986 | 151-162. | Citation 19 |
20 | Bazin, Nancy Topping. | Articulating the Questions, Searching for Answers: How To the Lighthouse Can Help. | Approaches to Teaching Woolf’s To the Lighthouse. | N/A | Ed. Beth Rigel Daugherty and Mary Beth Pringle. | New York, NY: | Modern Language Association of America, | 2001 | 107-13. | Citation 20 |
21 | Bell, Ilona. | ‘Haunted by Great Ghosts’: Virginia Woolf and To the Lighthouse. | Biography: An Interdisciplinary Quarterly | 9.2 | N/A | N/A | N/A | 1986 | 150-175. | Citation 21 |
22 | Bell, Lindsay. | Transmitting the Voices, Voyages and Visions: Adapting Virginia Woolf’s To the Lighthouse for the Radio. | Languages of Theatre Shaped by Women. | N/A | Ed. Jane De Gay and Lizbeth Goodman. | Bristol, England: | Intellect, | 2003 | 73-88. | Citation 22 |
23 | Berman, Jessica. | Ethical Folds: Ethics, Aesthetics, Woolf. | MFS: Modern Fiction Studies | 50.1 | N/A | N/A | N/A | 2004 | 151-72. | Citation 23 |
24 | Bernstein, Stephen. | Modernist Spatial Nostalgia: Forster, Conrad, Woolf. | Virginia Woolf: Texts and Contexts. | N/A | Ed. Beth Rigel Daugherty and Eileen Barrett. | New York: | Pace UP, | 1996 | 10-44. | Citation 24 |
25 | Bezrucka, Yvonne. | Culture, Memory and Desire: Hannah Arendt’s Politics of Art in Virginia Woolf’s To the Lighthouse. | Textus: English Studies in Italy | 22.2 | N/A | N/A | N/A | 2009 | 323-339. | Citation 25 |
26 | Bezrucka, Yvonne. | L’estetica di To the Lighthouse: La tentazione della bellezza astratta e il rifiuto delle ‘strane indicazioni’. | Quaderni del Dipartimento di Lingue e Letterature Straniere Moderne, Università di Genova | 7 | N/A | N/A | N/A | 1995 | 291-315. | Citation 26 |
27 | Bicknell, John W. | Mr Ramsay Was Young Once. | Virginia Woolf and Bloomsbury: A Centenary Celebration. | N/A | Ed. Jane Marcus. | Bloomington: | Indiana UP, | 1987 | 52-67. | Citation 27 |
28 | Bigliazzi, Silvia. | Scultura d’onde: James Joyce e Virginia Woolf | Anglistica e …: Metodi e percorsi comparatistici nelle lingue, culture e letterature di origine europea, I: Transiti letterari e culturali; II: Tran | N/A | Ed. Giuseppe Sertoli, et al. | Trieste, Italy | Università di Trieste | 1999 | I: 403-12. | Citation 28 |
29 | Bishop, Edward. | To the Lighthouse and the Publishing Practices of Virginia Woolf. | Approaches to Teaching Woolf’s To the Lighthouse | N/A | Ed. Beth Rigel Daugherty and Mary Beth Pringle | New York, NY | Modern Language Association of America | 2001 | 136-41. | Citation 29 |
30 | Blair, Emily. | Virginia Woolf and the Nineteenth-Century Domestic Aesthetic: Poetry the Wrong Side Out | Dissertation Abstracts International, Section A: The Humanities and Social Sciences | 63.8 | N/A | N/A | N/A | 2003 | 2866 | Citation 30 |
31 | Blanch, Sophie. | Taking Comedy Seriously: American Literary Humor and the British Woman Writer | Studies in American Humor | 3.15 | N/A | N/A | N/A | 2007 | 5-17. | Citation 31 |
32 | Bloom, Harold, ed. | Virginia Woolf’s To the Lighthouse | N/A | Mod. Crit. Interpretations | N/A | New York | Chelsea | 1988 | N/A | Citation 32 |
33 | Bloom, Lynn Z. | The Dinner Hours | CEA Critic: An Official Journal of the College English Association | 69.1-2: | N/A | N/A | N/A | 2007 | 3-13. | Citation 33 |
34 | Blotner, Joseph L. | Mythic Patterns in To the Lighthouse. | PMLA: Publications of the Modern Language Association of America | 71.4 | N/A | N/A | N/A | 1956 | 547-62 | Citation 34 |
35 | Blume, Donald T. | ‘Because It Is There’: George Mallory’s Presence in Virginia Woolf’s To the Lighthouse. | Virginia Woolf Out of Bounds: Selected Papers from the Tenth Annual Conference on Virginia Woolf | N/A | Ed. Jessica Berman and Jane Goldman | New York, NY | Pace UP | 2001 | 258-65 | Citation 35 |
36 | Booth, Allyson | Mr. Ramsay, Robert Falcon Scott, and Heroic Death | Mosaic: A Journal for the Interdisciplinary Study of Literature | 40.4 | N/A | N/A | N/A | 2007 | 135-50. | Citation 36 |
37 | Boren, Lynda S. | The Performing Self: Psychodrama in Austen, James and Woolf | The Centennial Review | 30.1 | N/A | N/A | N/A | 1986 | 1-24. | Citation 37 |
38 | Bosseaux, Charlotte | How Does It Feel? Point of View in Translation: The Case of Virginia Woolf into French | N/A | Approaches to Translation Studies 29 | N/A | Amsterdam, Netherlands | Rodopi | 2007 | N/A | Citation 38 |
39 | Braendlin, Bonnie | ‘I Have Had My Vision’: Teaching To the Lighthouse as Künstlerroman. | Approaches to Teaching Woolf’s To the Lighthouse | N/A | Ed. Beth Rigel Daugherty and Mary Beth Pringle | New York, NY | Modern Language Association of America | 2001 | 148-53. | Citation 39 |
40 | Brawer, Anna. | Ritratto come autoritratto: Al faro di Virginia Woolf | N/A | Università degli Studi di Torino. Dipartimento di Scienze e del Linguaggio e Letterature Moderne e Comparate 2. | N/A | Turin | Tirrenia | 1987 | N/A | Citation 40 |
41 | Brivic, Sheldon. | Love as Destruction in Woolf’s To the Lighthouse | Mosaic: A Journal for the Interdisciplinary Study of Literature | 27.3 | N/A | N/A | N/A | 1994 | 65-85 | Citation 41 |
42 | Brogan, Howard O. | Science and Narrative Structure in Austen, Hardy, and Woolf | Nineteenth-Century Fiction | 11.4 | N/A | N/A | N/A | 1957 | 276-87. | Citation 42 |
43 | Brown, Paul Tolliver. | Relativity, Quantum Physics, and Consciousness in Virginia Woolf’s To the Lighthouse | Journal of Modern Literature | 32.3 | N/A | N/A | N/A | 2009 | 39-62 | Citation 43 |
44 | Brown, Paul Tolliver | Relativity, Quantum Uncertainty, and Consciousness in Twentieth Century British Literature | Dissertation Abstracts International, Section A: The Humanities and Social Sciences | 70.7 | N/A | N/A | N/A | 2010 | 2525 | Citation 44 |
45 | Bryson, J. Scott | Modernism and Ecological Criticism | Modernism | Comparative History of Literatures in European Languages/Histoire Comparée des Littératures de Langues Européennes 21. | Ed. Astradur Eysteinsson and Vivian Liska | Amsterdam, Netherlands | Benjamins | 2007 | 591-604 | Citation 45 |
46 | Burgass, Catherine | Food for the Soul: Reading Mrs. Ramsay’s Boeuf en Daube | The Poetics of Transubstantiation: From Theology to Metaphor | Studies in European Cultural Transition 27. | Ed. Douglas Burnham and Enrico Giaccherini | Aldershot, England | Ashgate | 2005 | 95-103 | Citation 46 |
47 | Burling, William J. | Virginia Woolf’s ‘Lighthouse’: An Allusion to Shelley’s Queen Mab? | English Language Notes | 22.2 | N/A | N/A | N/A | 1984 | 62-65 | Citation 47 |
48 | Bush, Glen P. | Mrs. Ramsay as the Archetypal Guide in Virginia Woolf’s To the Lighthouse | Publications of the Mississippi Philological Association | N/A | N/A | N/A | N/A | 1988 | 13-20. | Citation 48 |
49 | Caillaud, Jacqueline. | Virginia Woolf: Promenade au Phare | Lesbia Magazine | 229 | N/A | N/A | N/A | 2003 | 46 | Citation 49 |
50 | Caracciolo, Marco | Leaping into Space: The Two Aesthetics of To the Lighthouse | Poetics Today | 31.2 | N/A | N/A | N/A | 2010 | 251-284 | Citation 50 |
51 | Carey, Catharine Gabriel | The Body of Knowledge: The Object of Learning: Epistemophilia and the Desire for Self | Dissertation Abstracts International, Section A: The Humanities and Social Sciences | 59.7 | N/A | N/A | N/A | 1999 | 2517 | Citation 51 |
52 | Carson, Benjamin | Darkness beyond the Lighthouse: Virginia Woolf, Charles Baudelaire, and Literary Modernism | Nebula | 2.3 | N/A | N/A | N/A | 2005 | 18-33 | Citation 52 |
53 | Carubia, Josephine M. | ‘The Blessed Island of Good Boots’: Virginia Woolf’s Deployment of Fetishism in To the Lighthouse | Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf | N/A | Ed. Laura Davis, Jeanette McVicker, and Jeanne Dubino | New York, NY | Pace UP | 1998 | 282-88 | Citation 53 |
54 | Carubia, Josephine M. | ‘The Higgledy-Piggledy’ Puzzle: A Fractal Analysis of the Patterns of Patterns in Virginia Woolf’s Fiction | Virginia Woolf and the Arts: Selected Papers from the Sixth Annual Conference on Virginia Woolf | N/A | Ed. Diane F. Gillespie and Leslie K. Hankins | New York, NY | Pace UP | 1997 | 260-68. | Citation 54 |
55 | Carubia, Josephine. | Gender and Geometry in Virginia Woolf’s To the Lighthouse | Semiotics 1996 | Sources in Semiotics 21 | Ed. C. W. Spinks and John Deely | New York, NY | Peter Lang | 1996 | 53-61 | Citation 55 |
56 | Caughie, Pamela L | How Do We Keep Desire from Passing with Beauty? | Tulsa Studies in Women’s Literature | 19.2 | N/A | N/A | N/A | 2000 | 269-84 | Citation 56 |
57 | Caughie, Pamela L | Returning To the Lighthouse: A Postmodern Approach | Approaches to Teaching Woolf’s To the Lighthouse | N/A | Ed. Beth Rigel Daugherty and Mary Beth Pringle. | New York, NY | Modern Language Association of America | 2001 | 47-53. | Citation 57 |
58 | Chaudier, Stéphane | Le Temps contradictoire: Proust et Woolf | Le Temps retrouvé: 80 ans après: Essais critiques/Eighty Years After: Critical Essays | Modern French Identities 84 | Ed. Adam Watt | Oxford, England | Peter Lang, | 2009 | 101-116 | Citation 58 |
59 | Christensen, Erik Christian | The Imperfect Librarians: Myth and Resistance in Marcel Proust, Johannes V. Jensen, Virginia Woolf, and Jorge Luis Borges | Dissertation Abstracts International, Section A: The Humanities and Social Sciences | 60.7 | N/A | N/A | N/A | 2000 | 2477 | Citation 59 |
60 | Clewell, Tammy | Consolation Refused: Virginia Woolf, the Great War, and Modernist Mourning | MFS: Modern Fiction Studies | 50.1 | N/A | N/A | N/A | 2004 | 197-223. | Citation 60 |
61 | Cobb, Gerald T. | From the Dark House To the Lighthouse: The Ramsays as Dysfunctional Family | Approaches to Teaching Woolf’s To the Lighthouse | N/A | Ed. Beth Rigel Daugherty and Mary Beth Pringle | New York, NY | Modern Language Association of America | 2001 | 114-18 | Citation 61 |
62 | Connolly, Margaret | Meredith, Woolf, and the Art of Comedy | Virginia Woolf and the Arts: Selected Papers from the Sixth Annual Conference on Virginia Woolf | N/A | Ed. Diane F. Gillespie and Leslie K. Hankins | New York, NY | Pace UP | 1997 | 197-205 | Citation 62 |
63 | Crater, Theresa L. | Lily Briscoe’s Vision: The Articulation of Silence | Rocky Mountain Review of Language and Literature | 50.2 | N/A | N/A | N/A | 1996 | 121-36. | Citation 63 |
64 | Cummins, June Stacey | ‘Fantastic Fulfillment’: The Problematics of Female Coming-of-Age Narratives in the Modern British Novel | Dissertation Abstracts International, Section A: The Humanities and Social Sciences | 59.10 | N/A | N/A | N/A | 1999 | 3826-27 | Citation 64 |
65 | Cunningham, Bonnie Wilde | Bearing the Pain: Anaesthetics of Impersonality in Modernist Fiction | Dissertation Abstracts International | 55.3 | N/A | N/A | N/A | 1994 | 561A-62A. | Citation 65 |
66 | Currier, Susan | Liberation Fables ‘in a Different Voice’: Virginia Woolf’s To the Lighthouse and Margaret Drabble’s The Waterfall | Analyzing the Different Voice: Feminist Psychological Theory and Literary Texts | New Feminist Perspectives. | Ed. Jerilyn Fisher, Ellen S. Silber, and Carol Gilligan | Lanham, MD | Rowman & Littlefield | 1998 | 175-89 | Citation 66 |
67 | Currier, Susan | Portraits of Artists by Woolf and Joyce | Approaches to Teaching Woolf’s To the Lighthouse | N/A | Ed. Beth Rigel Daugherty and Mary Beth Pringle | New York, NY | Modern Language Association of America | 2001 | 157-62. | Citation 67 |
68 | Daugherty, Beth Rigel, and Mary Beth Pringle, eds. | Approaches to Teaching Woolf’s To the Lighthouse | N/A | N/A | N/A | New York, NY | Modern Language Association of America | 2001 | N/A | Citation 68 |
69 | Daugherty, Beth Rigel, and Mary Beth Pringle | Materials | Approaches to Teaching Woolf’s To the Lighthouse | N/A | Ed. Beth Rigel Daugherty and Mary Beth Pringle | New York, NY | Modern Language Association of America | 2001 | 3-22. | Citation 69 |
70 | Davis, Laura | Reading and Writing: Helping Students Discover Meaning in To the Lighthouse | Approaches to Teaching Woolf’s To the Lighthouse | N/A | Ed. Beth Rigel Daugherty and Mary Beth Pringle | New York, NY | Modern Language Association of America | 2001 | 79-84 | Citation 70 |
71 | de Gay, Jane | Behind the Purple Triangle: Art and Iconography in To the Lighthouse | Woolf Studies Annual | 5 | N/A | N/A | N/A | 1999 | 1-23 | Citation 71 |
72 | Defromont, Françoise | Ecrire, peindre, inventer: Virginia Woolf à l’avant-garde | Femmes Frauen Women | Avant Garde: Revue Interdisciplinaire et Internationale des Arts et Litteratures du XXe Siecle/Interdisciplin 4. | Ed. Françoise van Rossum-Guyon | Amsterdam | Rodopi | 1990 | 45-57 | Citation 72 |
73 | Dekoven, Marianne | History As Suppressed Referent in Modernist Fiction | ELH | 51.1 | N/A | N/A | N/A | 1984 | 137-52 | Citation 73 |
74 | Delourme, Chantal | De l’espace au phrasé: ‘Exquisite Shapes’ dans To the Lighthouse | La Théorie au risque da la lettre | Théorie, Littérature, Enseignement 14. | Ed. Françoise Sammarcelli | Saint-Denis, France | PU de Vincennes | 1996 | 151-170 | Citation 74 |
75 | Delourme, Chantal | Scènes de lecture dans Jane Eyre, To the Lighthouse et Still Life | Etudes Britanniques Contemporaines: Revue de la Société d’Etudes Anglaises Contemporaines | 12 | N/A | N/A | N/A | 1997 | 133-45, 155. | Citation 75 |
76 | Derbyshire, S. H. | An Analysis of Mrs. Woolf’s To the Lighthouse | College English | 3.4 | N/A | N/A | N/A | 1942 | 353-60 | Citation 76 |
77 | Derrickson, Anne Lenore | Loss and Recuperation in the Novels of Woolf and Duras | Dissertation Abstracts International | 44.10 | N/A | N/A | N/A | 1984 | 3056A. | Citation 77 |
78 | DeSalvo, Louise | What Teaching To the Lighthouse Taught Me about Reading Virginia Woolf | Approaches to Teaching Woolf’s To the Lighthouse | N/A | Ed. Beth Rigel Daugherty and Mary Beth Pringle | New York, NY | Modern Language Association of America | 2001 | 91-96 | Citation 78 |
79 | Di Blasio, Francesca | La scrittura isotopica e l’explicit indefinito di To the Lighthouse | Confronto Letterario: Quaderni del Dipartimento di Lingue e Letterature Straniere Moderne dell’Università di Paviae del Dipartimento di Linguistica | 14.28 | N/A | N/A | N/A | 1997 | 665-75 | Citation 79 |
80 | Di Michele, Laura | La parola dipinta di Virginia Woolf in To the Lighthouse | La tipografia nel salotto: Saggi su Virginia Woolf | Voci del Tempo: Studi di Critica Letteraria. | Ed. Oriana Palusci | Turin, Italy | Tirrenia | 1999 | 167-84 | Citation 80 |
81 | Diment, Galya | Split Autobiographical Selves: Duality and Autobiography in the Works of Ivan Goncharov, Virginia Woolf and James Joyce | Dissertation Abstracts International | 49.6 | N/A | N/A | N/A | 1988 | 1449A | Citation 81 |
82 | Doyle, Laura | ‘These Emotions of the Body’: Intercorporeal Narrative in To the Lighthouse | Twentieth Century Literature: A Scholarly and Critical Journal | 40.1 | N/A | N/A | N/A | 1994 | 42-71 | Citation 82 |
83 | Du, Juan | Si yu bian: Daluowei tai tai, Dao deng ta qu yu Hai lang de shen ceng nei han | Foreign Literature Studies/Wai Guo Wen Xue Yan Jiu | 5.115 | N/A | N/A | N/A | 2005 | 65-71, 172 | Citation 83 |
84 | Duncker, Patricia | The Impossibility of Making Writing: Mrs Arbuthnot, Mrs Lewes and Mrs Woolf | Women: A Cultural Review | 9.3 | N/A | N/A | N/A | 1998 | 312-23 | Citation 84 |
85 | Duran, Jane | Virginia Woolf, Time, and the Real | Philosophy and Literature | 28.2 | N/A | N/A | N/A | 2004 | 300-08 | Citation 85 |
86 | Dymond, Justine | Modernism(s) Inside Out: History, Space, and Modern American Indian Subjectivity in Cogewea, the Half-Blood | Geomodernisms: Race, Modernism, Modernity | N/A | Ed. Laura Doyle and Laura A. Winkiel | Bloomington, IN | Indiana UP | 2005 | 297-312 | Citation 86 |
87 | Dymond, Justine | ‘The Outside of Its Inside and the Inside of Its Outside’: Phenomenology in To the Lighthouse | Virginia Woolf Out of Bounds: Selected Papers from the Tenth Annual Conference on Virginia Woolf. | N/A | Ed. Jessica Berman and Jane Goldman | New York, NY | Pace UP | 2001 | 140-45 | Citation 87 |
88 | Edgecombe, Rodney Stenning | Swinburne’s Tristram of Lyonesse and Woolf’s To the Lighthouse | Explicator | 66.1 | N/A | N/A | N/A | 2007 | 11-15 | Citation 88 |
89 | Ehrlich, Susan Lynn | A Linguistic Analysis of Point of View in Fiction | Dissertation Abstracts Internationa | 48.11 | N/A | N/A | N/A | 1988 | 2860A | Citation 89 |
90 | Elliott, Jean | The Protean Image: The Role of Mr. Carmichael in To the Lighthouse | Studies in the Novel | 12.4 | N/A | N/A | N/A | 1980 | 359-68 | Citation 90 |
91 | Ellmann, Maud | The Nets of Modernism: Henry James, Virginia Woolf, James Joyce, and Sigmund Freud | N/A | N/A | N/A | New York, NY | Cambridge UP | 2010 | N/A | Citation 91 |
92 | Endo, Fuhito | Radical Violence Inside Out: Woolf, Klein, and Interwar Politics | N/A | Twentieth Century Literature: A Scholarly and Critical Journal | 52.2 | N/A | N/A | 2006 | 175-98 | Citation 92 |
93 | Esch, Deborah | ‘Think of a Kitchen Table’: Hume, Virginia Woolf and the Translation of Example | Perspectives on Perception: Philosophy, Art, and Literature | Reading Plus 3. | Ed. Mary Ann Caws | New York | Peter Lang | 1989 | 79-94 | Citation 93 |
94 | Esch, Deborah | ‘Think of a kitchen table’: Hume, Woolf, and the Translation of Example | Literature as Philosophy/Philosophy as Literature | N/A | Ed. Donald G. Marshall | Iowa City | U of Iowa P | 1987 | 262-276 | Citation 94 |
95 | Faria, Thereza Maria Lustosa de Castro | To the Lighthouse: A Unidade da Obra-Prima na Cumplicidade da Prosa Poética com a Pintura e o Cinema | Ilha do Desterro: A Journal of Language and Literature | 24.2 | N/A | N/A | N/A | 1990 | 65-91 | Citation 95 |
96 | Faris, Wendy B. | Bloomsbury’s Beasts: The Presence of Animals in the Texts and Lives of Bloomsbury | Yearbook of English Studies | 37.1 | N/A | N/A | N/A | 2007 | 106-25 | Citation 96 |
97 | Faris, Wendy B., Steven F. Walker | Latent Icons: Compensatory Symbols of the Sacred in Modernist Literature and Painting | Modernism | N/A | Ed. Astradur Eysteinsson and Vivian Liska | Amsterdam, Netherlands | Benjamins | 2007 | 637-50 | Citation 97 |
98 | Faris, Wendy B., Steven F. Walker | Latent Icons: Compensatory Symbols of the Sacred in Modernist Literature and Painting | Modernism | Comparative History of Literatures in European Languages/Histoire Comparée des Littératures de Langues Européennes 21. | Ed. Astradur Eysteinsson and Vivian Liska | Amsterdam, Netherlands | Benjamins | 2007 | 637-50 | Citation 98 |
99 | Ferguson, John | A Sea Change: Thomas De Quincey and Mr. Carmichael in To the Lighthouse | Journal of Modern Literature | 14.1 | N/A | N/A | N/A | 1987 | 45-63 | Citation 99 |
100 | Fleishman, Avrom | ‘To Return to St. Ives’: Woolf’s Autobiographical Writings | ELH | 48.3 | N/A | N/A | N/A | 1981 | 606-18 | Citation 100 |
101 | Flint, Kate | Virginia Woolf and the General Strike | Essays in Criticism: A Quarterly Journal of Literary Criticism | 36.4 | N/A | N/A | N/A | 1986 | 319-334 | Citation 101 |
102 | Fluet, Lisa | Hit-Man Modernism | Bad Modernisms | N/A | Ed. Douglas Mao and Rebecca L. Walkowitz | Durham, NC | Duke UP | 2006 | 269-97 | Citation 102 |
103 | Folsom, Marcia McClintock | Transformations: Teaching To the Lighthouse with Autobiographies and Family Chronicles | Approaches to Teaching Woolf’s To the Lighthouse | N/A | Ed. Beth Rigel Daugherty and Mary Beth Pringle | New York, NY | Modern Language Association of America | 2001 | 119-25 | Citation 103 |
104 | Forbes, Shannon | ‘When Sometimes She Imagined Herself Like Her Mother’: The Contrasting Responses of Cam and Mrs. Ramsay to the Role of the Angel in the House | Studies in the Novel | 32.4 | N/A | N/A | N/A | 2000 | 464-87 | Citation 104 |
105 | Fox, Meghan | ‘The Vision Must Be Perpetually Remade’: An Examination of Ethical and Aesthetic Revisions in To the Lighthouse | Woolf Editing/Editing Woolf | N/A | Ed. Eleanor McNees and Sara Veglahn | Clemson, SC | Clemson University Digital | 2009 | 18-24 | Citation 105 |
106 | Foy, Roslyn Reso, Sanity and Madness; Art and Life: A Study of Community in Virginia Woolf’s To the Lighthouse and Mary Butts’s Armed with Madness | Atenea | 20.2 [3a] | N/A | N/A | N/A | N/A | 2000 | 95-102 | Citation 106 |
107 | Fredrick, John Andrew | Triumph and Travesty: Reflexivity and the Artistic Conquest of Nothingness and the Void in Virginia Woolf’s To the Lighthouse and Ford Madox Ford’ | Dissertation Abstracts International | 46.11 | N/A | N/A | N/A | 1986 | 3345A | Citation 107 |
108 | Friedman, Betty McClanaham | The Princess in Exile: The Alienation of the Female Artist in Charlotte Brontë, George Eliot, and Virginia Woolf | Dissertation Abstracts International | 46.3 | N/A | N/A | N/A | 1985 | 705A | Citation 108 |
109 | Friedman, Norman | The Waters of Annihilation: Double Vision in To the Lighthouse | ELH | 22.1 | N/A | N/A | N/A | 1955 | 61-79 | Citation 109 |
110 | Fu, Kai-Ni K. | A Writer’s Interior Voyage toward Writing: A Case Study of the Creative Processes of Virginia Woolf. | Dissertation Abstracts International, Section A: The Humanities and Social Sciences | 62.9 | N/A | N/A | N/A | 2002 | 2994-95 | Citation 110 |
111 | Gabler, Hans Walter | A Tale of Two Texts: Or, How One Might Edit Virginia Woolf’s To the Lighthouse | Woolf Studies Annual | 10 | N/A | N/A | N/A | 2004 | 1-29 | Citation 111 |
112 | Gaipa, Mark | An Agnostic’s Daughter’s Apology: Materialism, Spiritualism, and Ancestry in Woolf’s To the Lighthouse | Journal of Modern Literature | 26.2 | N/A | N/A | N/A | 2003 | 1-41 | Citation 112 |
113 | Gately, Patricia | Ten Thousand Different Ways: Inventing Mothers, Inventing Hope | Paintbrush: A Journal of Poetry and Translation | 22 | N/A | N/A | N/A | 1995 | 51-55 | Citation 113 |
114 | Gay, Peter | Intermittences of the Heart | American Scholar | 73.4 | N/A | N/A | N/A | 2003 | 73-77 | Citation 114 |
115 | Genieva, E. | Na maiak | Novyi Mir: Literaturno-Khudozhestvennyi i Obshchestvenno-Politicheskii Zhurnal | 9 | Trans. E. Surits | N/A | N/A | 1988 | 100-134 | Citation 115 |
116 | Gerend, Sara | Ghosts of Empire in Virginia Woolf’s To the Lighthouse and Elizabeht Bowen’s The Last September | Virginia Woolf: Art, Education, and Internationalism | N/A | Ed. Diana Royer and Madelyn Detloff | Clemson, SC | Clemson University Digital | 2008 | 51-56 | Citation 116 |
117 | Giovanni, Flora de | Tra impersonalitá e autobiografismo: La morte della madre in Virginia Woolf | L’impulso autobiografico: Inghilterra, Stati Uniti, Canada … e altri ancora | Critica e Letteratura 63 | Ed. Michele Bottalico and Maria Teresa Chialan | Naples, Italy | Liguori | 2005 | 247-60 | Citation 117 |
118 | Gisbert, Gora, José Santaemilia | Gender and Translation: Virgina Woolf’s To the Lighthouse in French | Género, lenguaje y traducción | Quaderns de Gènere, Sexe i Llenguatge/Cuadernos de Género, Sexo y Lenguaje 1 | Ed. José Santaemilia | Valencia, Spain | Universitat de València | 2003 | 474-84 | Citation 118 |
119 | Gjurgjan, Ljiljana | The Metaphoric and the Patriarchal in Women’s Writing | Studia Romanica et Anglica Zagrabiensia | 42 | N/A | N/A | N/A | 1997 | 135-44. | Citation 119 |
120 | Glorie, Josephine Carubia | Mapping the Epistemic Terrain in Virginia Woolf’s To the Lighthouse | Re: Reading, Re: Writing, Re: Teaching Virginia Woolf | N/A | Ed. Eileen Barrett, Patricia Cramer, and Paul Connolly | New York, NY | Pace UP | 1995 | 155-61 | Citation 120 |
121 | Godwin, Janet Lynn | Virginia Woolf: Moments of Vision in Mrs. Dalloway, To the Lighthouse, and Between the Acts | Dissertation Abstracts International | 41.7 | N/A | N/A | N/A | 1981 | 3102A | Citation 121 |
122 | Goldberg, Jennifer | ‘A Mixture of the Madonna and a Woman of the World’: Virginia Woolf’s Assessment of the Mother | Journal of the Association for Research on Mothering | 10.2 | N/A | N/A | N/A | 2008 | 171-183 | Citation 122 |
123 | Goldman, Jane, ed. | Virginia Woolf: To the Lighthouse, The Waves | N/A | Columbia Critical Guides | N/A | New York, NY | Columbia UP | 1998 | N/A | Citation 123 |
124 | Goldman, Jane | Artist and Feminist Communities of 1910: Post-Impressionism, Suffrage Aesthetics, and Intersubjectivity in To the Lighthouse | Virginia Woolf and Communities | N/A | Ed. Jeanette McVicker, Laura Davis, and Georgia Johnston | New York, NY | Pace UP | 1999 | 259-68 | Citation 124 |
125 | Goldman, Jane | Virginia Woolf and Post-Impression: French Art, English Theory, and Feminist Practice | Miscelánea: A Journal of English and American Studies | 20 | N/A | N/A | N/A | 1999 | 173-91 | Citation 125 |
126 | Goodenough, Elizabeth N. | ‘Demons of Wickedness, Angels of Delight’: Hawthorne, Woolf, and the Child | Hawthorne and Women: Engendering and Expanding the Hawthorne Tradition | N/A | Ed. John L. Idol, Jr. and Melinda M. Ponder | Amherst, MA | U of Massachusetts P | 1999 | 226-36 | Citation 126 |
127 | Goring, Paul | The Shape of To the Lighthouse: Lily Briscoe’s Painting and the Reader’s Vision | Word & Image: A Journal of Verbal/Visual Enquiry | 10.3 | N/A | N/A | N/A | 1994 | 222-29 | Citation 127 |
128 | Gough, Val | ‘With Some Irony in Her Interrogation’: Woolf’s Ironic Mysticism | Virginia Woolf and the Arts: Selected Papers from the Sixth Annual Conference on Virginia Woolf | N/A | Ed. Diane F. Gillespie and Leslie K. Hankins | New York, NY | Pace UP | 1997 | 85-90 | Citation 128 |
129 | Graham, Pamela Jill Watson | Skirting the Künstlerroman: Psychoanalysis and the Transformative Artist in Virginia Woolf and Stevie Smith | Dissertation Abstracts International, Section A: The Humanities and Social Sciences | 63.9 | N/A | N/A | N/A | 2003 | 3204 | Citation 129 |
130 | Grant, Wilda Leslie | Women’s Search for Identity in Modern Fiction (1881-1927): Self-Definition in Crisis | Dissertation Abstracts International | 49.3 | N/A | N/A | N/A | 1988 | 510A | Citation 130 |
131 | Greenwald, Elissa | Casting off from ‘The Castaway’: To the Lighthouse as Prose Elegy | Genre: Forms of Discourse and Culture | 19.1 | N/A | N/A | N/A | 1986 | 37-57 | Citation 131 |
132 | Guth, Deborah | Virginia Woolf: Myth and To the Lighthouse | College Literature | 11.3 | N/A | N/A | N/A | 1984 | 233-249 | Citation 132 |
133 | Halliburton, David | Ceremony Is to Being as Interruption Is to Non-Being | Virginia Woolf Miscellany | 57 | N/A | N/A | N/A | 2001 | 1-2 | Citation 133 |
134 | Handley, William R. | The Housemaid and the Kitchen Table: Incorporating the Frame in To the Lighthouse | Twentieth Century Literature: A Scholarly and Critical Journal | 40.1 | N/A | N/A | N/A | 1994 | 15-41 | Citation 134 |
135 | Hargreaves, Tracy | The Grotesque and the Great War in To the Lighthouse | Women’s Fiction and the Great War | N/A | Ed. Suzanne Raitt and Trudi Tate | Oxford, England | Clarendon | 1997 | 132-50 | Citation 135 |
136 | Harrington, Henry R. | The Central Line Down the Middle of To the Lighthouse | Contemporary Literature | 21.3 | N/A | N/A | N/A | 1980 | 363-82 | Citation 136 |
137 | Hayot, Eric | Bertrand Russell’s Chinese Eyes | Modern Chinese Literature and Culture | 18.1 | N/A | N/A | N/A | 2006 | 120-54 | Citation 137 |
138 | Heilbrun, Carolyn G. | To the Lighthouse: The New Story of Mother and Daughter | ADE Bulletin | 87 | N/A | N/A | N/A | 1987 | 12-14 | Citation 138 |
139 | Helal, Kathleen M. | Anger, Anxiety, Abstraction: Virginia Woolf’s ‘Submerged Truth’ | South Central Review: The Journal of the South Central Modern Language Association | 22.2 | N/A | N/A | N/A | 2005 | 78-94 | Citation 139 |
140 | Henke, Suzette | Virginia Woolf’s To the Lighthouse: (En)Gendering Epiphany | Moments of Moment: Aspects of the Literary Epiphany | Studies in Literature 25 | Ed. Wim Tigges | Amsterdam, Netherlands | Rodopi | 1999 | 261-78 | Citation 140 |
141 | Herman, David | Dialogue in a Discourse Context: Discourse-Analytic Models and Woolf’s To the Lighthouse | Virginia Woolf Miscellany | 52 | N/A | N/A | N/A | 1998 | 3-4 | Citation 141 |
142 | Herman, David | Dialogue in a Discourse Context: Scenes of Talk in Fictional Narrative | Narrative Inquiry | 16 | N/A | N/A | N/A | 2006 | 75-84 | Citation 142 |
143 | Herman, David | Dialogue in a Discourse Context: Scenes of Talk in Fictional Narrative | Narrative-State of the Art | N/A | Ed. Michael Bamberg | Amsterdam, Netherlands | Benjamins | 2007 | 91-101 | Citation 143 |
144 | Hermetet, Anne-Rachel | Adieux au référent: Le Peintre dans To the Lighthouse de Virginia Woolf et La Vie mode d’emploi de Georges Perec | Roman 20-50: Revue d’Etude du Roman du XXe Siècle | 28 | N/A | N/A | N/A | 1999 | 103-14 | Citation 144 |
145 | Hill, Mary Lucille | Remaking the Mother: New Directions for Women in British Narrative, 1910-1930 | Dissertation Abstracts International | 55.3 | N/A | N/A | N/A | 1994 | 574A | Citation 145 |
146 | Hill, Marylu | Mothering Her Text: Woolf and the Maternal Paradigm of Biography | Virginia Woolf Miscellany | 46 | N/A | N/A | N/A | 1995 | 3 | Citation 146 |
147 | Hoffman, Anne Golomb | Demeter and Poseidon: Fusion and Distance in To the Lighthouse | Studies in the Novel | 16.2 | N/A | N/A | N/A | 1984 | 182-196 | Citation 147 |
148 | Holton, Amanda | Resistance, Regard and Rewriting: Virginia Woolf and Anne Thackeray Ritchie | English: The Journal of the English Association | 57.217 | N/A | N/A | N/A | 2008 | 42-64 | Citation 148 |
149 | Hood, Richard Alan | The Shadow of an Absence: Symbol and Meaning in the Modern Novel | Dissertation Abstracts International | 45.4 | N/A | N/A | N/A | 1984 | 1112A-1113A | Citation 149 |
150 | Humm, Maggie | Simone de Beauvoir, Virginia Woolf and the Maternal | Women’s Writing in Western Europe: Gender, Generation and Legacy | N/A | Ed. Adalgisa Giorgio and Julia Waters | Newcastle upon Tyne, England | Cambridge Scholars | 2007 | 170-185 | Citation 150 |
151 | Hunter, Dianne | Objects Dissolving in Time | Woolf in the Real World | N/A | Ed. Karen V. Kukil | Northampton, MA | Clemson University Digital | 2005 | 94-99 | Citation 151 |
152 | Hunter, Dianne | The Fisherman and His Wife as Uncanny Motif in Woolf and Plath | Virginia Woolf Miscellany | 71 | N/A | N/A | N/A | 2007 | 8-10 | Citation 152 |
153 | Hussey, Mark | ‘For Nothing Is Simply One Thing’: Knowing the World in To the Lighthouse | Approaches to Teaching Woolf’s To the Lighthous | Ed. Beth Rigel Daugherty and Mary Beth Pringle | N/A | New York, NY | Modern Language Association of America | 2001 | 41-46 | Citation 153 |
154 | Hussey, Mark | To the Lighthouse and Physics: The Cosmology of David Bohm and Virginia Woolf | New Essays on Virginia Woolf | New Essays on English Literature 1 | Ed. Helen Wussow | Dallas | Contemporary Research | 1995 | 79-97 | Citation 154 |
155 | Hyman, Virginia R. | To the Lighthouse and Beyond: Transformations in the Narratives of Virginia Woolf | N/A | American University Studies IV: English Language and Literature 66 | N/A | New York | Peter Lang | 1988 | N/A | Citation 155 |
156 | Ieta, Rodica | Time Is (the Matter): Communication of Presence in Virginia Woolf’s To the Lighthouse and Ingmar Bergman’s Wild Strawberries | From One Shore to Another: Reflections on the Symbolism of the Bridge | N/A | Ed. Sanda Badescu | Newcastle upon Tyne, England: | Cambridge Scholars | 2007 | 177-191 | Citation 156 |
157 | Ingelbien, Raphaël | Intertextuality, Critical Politics and the Modernist Canon: The Case of Virginia Woolf | Paragraph: A Journal of Modern Critical Theory | 22.3 | N/A | N/A | N/A | 1999 | 278-92 | Citation 157 |
158 | Ingersoll, Earl G. | Images of the Family in Modernist Fiction | English Language Notes | 26.2 | N/A | N/A | N/A | 1988 | 60-64 | Citation 158 |
159 | Ingram, Penelope | ‘One Drifts Apart’: To the Lighthouse as Art of Response | Philosophy and Literature | 23.1 | N/A | N/A | N/A | 1999 | 78-95 | Citation 159 |
160 | Ippolito, Maria F. | Capturing the Flight of the Mind: A Model of Virginia Woolf’s Novelistic Problem-Solving | Dissertation Abstracts International, Section B: The Sciences and Engineering | 60.4 | N/A | N/A | N/A | 1999 | 1880 | Citation 160 |
161 | Jackson, Bev | ‘A Vicious and Corrupt Word’: Feminism and Virginia Woolf | Dutch Quarterly Review of Anglo-American Letters | 17.4 | N/A | N/A | N/A | 1987 | 249-261 | Citation 161 |
162 | Jacobsen, Sally A. | Using Bloomsbury Art to Teach Mrs. Dalloway, To the Lighthouse, and The Waves: A New Historical Approach | Re: Reading, Re: Writing, Re: Teaching Virginia Woolf | Ed. Eileen Barrett, Patricia Cramer, and Paul Connolly | N/A | New York, NY | Pace UP | 1995 | 48-51 | Citation 162 |
163 | Jacobus, Mary | ‘The Third Stroke’: Reading Woolf with Freud | Grafts: Feminist Cultural Criticism | N/A | Ed. Susan Sheridan | London | Verso | 1988 | 93-110 | Citation 163 |
164 | Jondot, Jacqueline | A Green Shawl over the Edge of a Picture Frame | Imaginaires: Revue du Centre de Recherche sur l’Imaginaire dans les Littératures de Langue Anglaise | 3 | N/A | N/A | N/A | 1998 | 89-103 | Citation 164 |
165 | Jones, Bethan | D. H. Lawrence and Virginia Woolf: De-Stabilising the Ego | D. H. Lawrence: Literature, History, Culture | N/A | Ed. Michael Bell, et al. | Tokyo, Japan | Kokusho-KankoKai | 2005 | 341-57 | Citation 165 |
166 | Kanwar, Anju | Briscoe’s Alt(a)rnative: Durga or Sati? Woolf and Hinduism in To the Lighthouse | Virginia Woolf: Texts and Contexts | N/A | Ed. Beth Rigel Daugherty and Eileen Barrett | New York | Pace UP | 1996 | 104-09 | Citation 166 |
167 | Katō, Megum | Miruku to teikokushugi to: Urufu ni okeru ‘bosei’ no gensetsu | Eigo Seinen/Rising Generation | 143.12 | N/A | N/A | N/A | 1998 | 694-696 | Citation 167 |
168 | Briggs, Julia | Writing Itself: To the Lighthouse (1927) | Virginia Woolf: An Inner Life | N/A | N/A | Orlando | Harcourt | 2005 | 160-86 | Citation 168 |
169 | Kato, Megumi | The Milk Problem in To the Lighthouse | Virginia Woolf Miscellany | 50 | N/A | N/A | N/A | 1997 | 5 | Citation 169 |
170 | Kato, Megumi | The Politics/Poetics of Motherhood in To the Lighthouse | Virginia Woolf and Communities | N/A | Ed. Jeanette McVicker, Laura Davis, and Georgia Johnston | New York, NY | Pace UP | 1999 | 102-09 | Citation 170 |
171 | Kavaloski, Joshua | The Fourth Dimension: Time in the Modernist Novel | Dissertation Abstracts International, Section A: The Humanities and Social Sciences | 65.4 | N/A | N/A | N/A | 2004 | 1357 | Citation 171 |
172 | Kearney, Richard | Sacramental Imagination: Eucharists of the Ordinary Universe in the Works of Joyce, Proust, and Woolf | Through a Glass Darkly: Suffering, the Sacred, and the Sublime in Literature and Theory | N/A | Ed. Holly Faith Nelson, Lynn R. Szabo, and Jens Zimmermann | Waterloo, ON | Wilfrid Laurier UP | 2010 | 183-222 | Citation 172 |
173 | Kim, Jina | The Abject Mother: Mrs. Ramsay in Virginia Woolf’s To the Lighthouse | Feminist Studies in English Literature | 12.2 | N/A | N/A | N/A | 2004 | 81-106 | Citation 173 |
174 | Klein, Jürgen | Gesellschaftskritik und Sinnsuche in Virginia Woolfs Roman To the Lighthouse | Anglistik: Mitteilungen des Verbandes deutscher Anglisten | 6.2 | N/A | N/A | N/A | 1995 | 52-64 | Citation 174 |
175 | Knapp, Bettina L. | Virginia Woolf’s ‘Boeuf en Daube’ | Literary Gastronomy | Rodopi Perspectives on Mod. Lit. 1 | Ed. David Bevan | Amsterdam | Rodopi | 1988 | 29-36 | Citation 175 |
176 | Knapp, Bettina L. | Word/Image/Psyche | N/A | N/A | N/A | N/A | University: U of Alabama P | 1985 | N/A | Citation 176 |
177 | Knox-Shaw, Peter | To the Lighthouse: The Novel as Elegy | English Studies in Africa: A Journal of the Humanities | 29.1 | N/A | N/A | N/A | 1986 | 31-52 | Citation 177 |
178 | Kochersperger, Reba | Woolf’s To the Lighthouse | Explicator | 52.4 | N/A | N/A | N/A | 1994 | 229-30 | Citation 178 |
179 | Koppen, Randi | Embodied Form: Art and Life in Virginia Woolf’s To the Lighthouse | New Literary History: A Journal of Theory and Interpretation | 32.2 | N/A | N/A | N/A | 2001 | 375-89 | Citation 179 |
180 | Krasner, James | Doubtful Arms and Phantom Limbs: Literary Portrayals of Embodied Grief | PMLA: Publications of the Modern Language Association of America | 119.2 | N/A | N/A | N/A | 2004 | 218-32 | Citation 180 |
181 | Krouse, Tonya | ‘I Would Rather Be a Cyborg Than A Goddess’: Lily Briscoe, Mrs. Ramsay, and the Postmodern Sublime | Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf | N/A | Ed. Laura Davis, Jeanette McVicker, and Jeanne Dubino | New York, NY | Pace UP | 1998 | 294-301 | Citation 181 |
182 | Kubasak, Sharon | Doing the Limbo with Woolf and Nin-On Writer’s Block | The Centennial Review | 32.4 | N/A | N/A | N/A | 1988 | 372-387 | Citation 182 |
183 | Kuhlmann, Deborah | Virginia Woolf’s Cyclical Dialectics | Conference of College Teachers of English Studies | 52 | N/A | N/A | N/A | 1987 | 55-60 | Citation 183 |
184 | Kwon, Seokwoo | Dual Discourses and Two Versions of To the Lighthouse: Showalter-Moi Controversy and the Use of Textual Feminism | Feminist Studies in English Literature | 8.2 | N/A | N/A | N/A | 2001 | 155-81 | Citation 184 |
185 | Lackey, Michael | Modernist Anti-Philosophicalism and Virginia Woolf’s Critique of Philosophy | Journal of Modern Literature | 29.4 | N/A | N/A | N/A | 2006 | 76-98 | Citation 185 |
186 | Lambert, Barbara | To the Lighthouse: Nature et mélancolie | Etudes Britanniques Contemporaines: Revue de la Société d’Etudes Anglaises Contemporaines | 11 | N/A | N/A | N/A | 1997 | 77-93 | Citation 186 |
187 | Lashof, Carol Suzanne | World without Distance: A Study of the Fiction of D. H. Lawrence and Virginia Woolf. | Dissertation Abstracts International | 45.1 | N/A | N/A | N/A | 1984 | 180A | Citation 187 |
188 | Lassen, Henrik | Drawing the Line in To the Lighthouse: A Survey of Critical Visions | Angles on the English Speaking World | 4 | N/A | N/A | N/A | 1990 | 35-57 | Citation 188 |
189 | Laurence, Patricia | ‘Some Rope to Throw to the Reader’: Teaching the Diverse Rhythms of To the Lighthouse | Approaches to Teaching Woolf’s To the Lighthouse | N/A | Ed. Beth Rigel Daugherty and Mary Beth Pringle | New York, NY | Modern Language Association of America | 2001 | 66-71 | Citation 189 |
190 | Lázaro Lafuente, Luis Alberto | The First Spanish Translation of Virginia Woolf’s ‘Time Passes’: Facts, Mysteries and Conjectures | Grove: Working Papers on English Studies | 10 | N/A | N/A | N/A | 2003 | 71-83 | Citation 190 |
191 | Levenback, Karen L. | Teaching To the Lighthouse as a Civilian War Novel | Approaches to Teaching Woolf’s To the Lighthous | N/A | Ed. Beth Rigel Daugherty and Mary Beth Pringle | New York, NY | Modern Language Association of America | 2001 | 142-47 | Citation 191 |
192 | Levenback, Karen L. | Virginia Woolf and the Great War | N/A | N/A | N/A | Syracuse, NY | Syracuse UP | 1998 | N/A | Citation 192 |
193 | Levy, Eric P. | The Specious Present and Bi-Directional Time in Woolf’s To the Lighthouse | Literature and Aesthetics: The Journal of the Sydney Society of Literature and Aesthetics | 16.2 | N/A | N/A | N/A | 2006 | 45-74 | Citation 193 |
194 | Levy, Eric P. | Woolf’s Metaphysics of Tragic Vision in To the Lighthouse | Philological Quarterly | 75.1 | N/A | N/A | N/A | 1996 | 109-32 | Citation 194 |
195 | Lewis, Alison M. | Rational Mysticism in the Works of Virginia Woolf | Dissertation Abstracts International | 57.3 | N/A | N/A | N/A | 1996 | 1150A | Citation 195 |
196 | Lezra, Jacques | Unrelated Passions | Differences: A Journal of Feminist Cultural Studies | 14.1 | N/A | N/A | N/A | 2003 | 74-87 | Citation 196 |
197 | Li, Naikun | [Appreciation of To the Lighthouse] | Foreign Lit. Studies [China] | 31.1 | N/A | N/A | N/A | 1986 | 110-114 | Citation 197 |
198 | Lidoff, Joan | Virginia Woolf’s Feminine Sentence: The Mother-Daughter World of To the Lighthouse | Literature and Psychology | 32.3 | N/A | N/A | N/A | 1986 | 43-59 | Citation 198 |
199 | Lilienfeld, Jane | ‘At Lunch a Few Drops of Something’: The Opium Narrative in To the Lighthouse | Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf | N/A | Ed. Laura Davis, Jeanette McVicker, and Jeanne Dubino | New York, NY | Pace UP | 1998 | 38-43 | Citation 199 |
200 | Lilienfeld, Jane | ‘Could They Tell One What They Knew?’: Modes of Disclosure in To the Lighthouse | Virginia Woolf and Trauma: Embodied Texts | N/A | Ed. Suzette Henke, David Eberly, and Jane Lilienfeld | New York, NY | Pace UP | 2007 | 95-122 | Citation 200 |
201 | Lilienfeld, Jane | ‘The Deceptiveness of Beauty’: Mother Love and Mother Hate in To the Lighthouse | Twentieth Century Literature: A Scholarly and Critical Journal | 23.3 | N/A | N/A | N/A | 1977 | 345-76 | Citation 201 |
202 | Lilienfeld, Jane | Where the Spear Plants Grew: The Ramsay’s Marriage in To the Lighthouse | New Feminist Essays on Virginia Woolf | N/A | Ed. Jane Marcus | Lincoln | U of Nebraska P | 1981 | 148-169 | Citation 202 |
203 | Liu, Yu-yen | Writing with a Painter’s Mind: Virginia Woolf’s Fiction and Aesthetics | Sun Yat-sen Journal of Humanities | 19 | N/A | N/A | N/A | 2004 | 91-110 | Citation 203 |
204 | London, Bette Lynn | Forms of Evasion: The Modern Novel as Retreat | Dissertation Abstracts International | 45.3 | N/A | N/A | N/A | 1984 | 842A | Citation 204 |
205 | Louvel, Liliane | Love with a Fruit-Dish: Nature morte avec l’amour en plâtre: An Instance of Pictorial Eroticism | Etudes Britanniques Contemporaines: Revue de la Société d’Etudes Anglaises Contemporaines | N/A | N/A | N/A | N/A | 1999 | 29-43 | Citation 205 |
206 | Low, Lisa | ‘Two Figures in Dense Violet Night’: Virginia Woolf, John Milton, and the Epic Vision of Marriage | Woolf Studies Annual | 1 | N/A | N/A | N/A | 1995 | 68-88 | Citation 206 |
207 | Lumsden, Robert | Virginia Woolf’s ‘As If’ in To the Lighthouse: The Modernist Philosophy of Meaning in Absentia | The Silent Word: Textual Meaning and the Unwritten | N/A | Ed. Ban Kah Choon, Robbie B. H. Goh, and Robert J. C. Young | Singapore | Singapore UP | 1998 | 119-33 | Citation 207 |
208 | Lund, Roger D. | We Perished Each Alone: ‘The Castaway’ and To the Lighthouse | Journal of Modern Literature | 16.1 | N/A | N/A | N/A | 1989 | 75-92 | Citation 208 |
209 | Mackin, Timothy | Private Worlds, Public Minds: Woolf, Russell and Photographic Vision | Journal of Modern Literature | 33.3 | N/A | N/A | N/A | 2010 | 112-130 | Citation 209 |
210 | MacMaster, Anne | Anguished Love for the Angel of the House: To the Lighthouse and the Women’s Studies Generations Paper | Re: Reading, Re: Writing, Re: Teaching Virginia Woolf | N/A | Ed. Eileen Barrett, Patricia Cramer, and Paul Connolly | New York, NY | Pace UP | 1995 | 269-72 | Citation 210 |
211 | Maleki, Nasser,, Noorbakhsh Hooti, and Majid Farahian | Time and Chronology in Modern Novels: An Example of Woolf and Joyce | Marang: Journal of Language and Literature | 19 | N/A | N/A | N/A | 2009 | 23-31 | Citation 211 |
212 | Malle, Bertram F., Joshua Knobe | Which Behaviors Do People Explain? A Basic Actor-Observer Asymmetry | Journal of Personality and Social Psycholog | 72.2 | N/A | N/A | N/A | 1997 | 288-304 | Citation 212 |
213 | Marotte, Mary Ruth | Re-Constructing Femininity in Woolf and Cixous: Awakening the Need to Create | Publications of the Arkansas Philological Association | 25.1 | N/A | N/A | N/A | 1999 | 61-72 | Citation 213 |
214 | Marret, Sophie | Deuil et vision dans To the Lighthouse | Q/W/E/R/T/Y: Arts, Litteratures & Civilisations du Monde Anglophone | 5 | N/A | N/A | N/A | 1995 | 215-26 | Citation 214 |
215 | Marsaleix, Nadège | Rythmes et orchestrations musicales: L’Œil écoute la parole mouvante de Virginia Woolf dans Mrs. Dalloway, To the Lighthouse et The Waves | Imaginaires: Revue du Centre de Recherche sur l’Imaginaire dans les Littératures de Langue Anglaise | 11 | N/A | N/A | N/A | 2005 | 133-147 | Citation 215 |
216 | Martin, Bill | To the Lighthouse and the Feminist Path to Postmodernity | Philosophy and Literature | 13.2 | N/A | N/A | N/A | 1989 | 307-315 | Citation 216 |
217 | Mathis, Mary Shirlene | War/Narrative/Identity: Uses of Virginia Woolf’s Modernism | Dissertation Abstracts International | 57.2 | N/A | N/A | N/A | 1996 | 694A | Citation 217 |
218 | Matro, Thomas G. | Only Relations: Vision and Achievement in To the Lighthouse | PMLA: Publications of the Modern Language Association of America | 99.2 | N/A | N/A | N/A | 1984 | 212-24 | Citation 218 |
219 | Matsuoka, Naomi | Japanese-English Translation and the Stream of Consciousness | Tamkang Review: A Quarterly of Comparative Studies between Chinese and Foreign Literatures | 19.1-4 | N/A | N/A | N/A | 1989 | 537-545 | Citation 219 |
220 | May, Rachel | Sensible Elocution: How Translation Works in & upon Punctuation | Translator: Studies in Intercultural Communication | 3.1 | N/A | N/A | N/A | 1997 | 1-20 | Citation 220 |
221 | McArthur, Elizabeth Andrews | Following Swann’s Way: To the Lighthouse | Comparative Literature | 56.4 | N/A | N/A | N/A | 2004 | 331-46 | Citation 221 |
222 | McIntyre, John David | Modernism for a Small Planet: Diminishing Global Space in the Locales of Conrad, Joyce, and Woolf | Dissertation Abstracts International, Section A: The Humanities and Social Sciences | 64.4 | N/A | N/A | N/A | 2003 | 1251 | Citation 222 |
223 | McKenna, Kathleen | The Language of Orgasm | Re: Reading, Re: Writing, Re: Teaching Virginia Woolf | N/A | Ed. Eileen Barrett, Patricia Cramer, and Paul Connolly | New York, NY | Pace UP | 1995 | 29-38 | Citation 223 |
224 | McLaughlin, Thomas M. | Fiction and Interpretation in Virginia Woolf. | Essays in Literature | 8.2 | N/A | N/A | N/A | 1981 | 173-187 | Citation 224 |
225 | McNaron, Toni A. H. | Look Again: Reading To the Lighthouse from an Aesthetic of Likeness. | Approaches to Teaching Woolf’s To the Lighthouse | N/A | Ed. Beth Rigel Daugherty and Mary Beth Pringle | New York, NY | Modern Language Association of America | 2001 | 85-90 | Citation 225 |
226 | McVicker, Jeanette | Reading To the Lighthouse as a Critique of the Imperial | Approaches to Teaching Woolf’s To the Lighthouse | N/A | Ed. Beth Rigel Daugherty and Mary Beth Pringle | New York, NY | Modern Language Association of America | 2001 | 97-104 | Citation 226 |
227 | Melia, Margaret E. | Portrait of an Artist as a Mature Woman: A Study of Virginia Woolf’s Androgynous Aesthetics in To the Lighthouse | Emporia State Research Studies | 37.1 | N/A | N/A | N/A | 1988 | 5-17 | Citation 227 |
228 | Melton, O. Quimby | Intimations of Religious Mysticism in Virginia Woolf’s To the Lighthouse | From around the Globe: Secular Authors and Biblical Perspectives | Ed. Seodial Frank H. Deena and Karoline Szatek | N/A | Lanham, MD | UP of America | 2007 | 109-112 | Citation 228 |
229 | Meškova, Sandra | Apziņas plūsma V. Vulfas romānā ‘Uz bāku’ (To the Lighthouse) | Zinātnisko rakstu izdevums | N/A | Ed. Valentína Liepa | Daugavpils | Saule | 1995 | 11-13 | Citation 229 |
230 | Minow-Pinkney, Makiko | ‘How Then Does Light Return to the World after the Eclipse of the Sun? Miraculously Frailly’: A Psychoanalytic Interpretation of Woolf’s Mystici | Virginia Woolf and the Arts: Selected Papers from the Sixth Annual Conference on Virginia Woolf | N/A | Ed. Diane F. Gillespie and Leslie K. Hankins | New York, NY | Pace UP | 1997 | 90-98 | Citation 230 |
231 | Moody, David | The Complex Life: An Approach to To the Lighthouse | Critical Review | 3 | N/A | N/A | N/A | 1960 | 80-93 | Citation 231 |
232 | Morgan, Geneviève Sanchis | Performance Art and Tableau Vivant-The Case of Clarissa Dalloway and Mrs. Ramsay | Virginia Woolf: Texts and Contexts | N/A | Ed. Beth Rigel Daugherty and Eileen Barrett | New York, NY | Pace UP | 1996 | 268-73 | Citation 232 |
233 | Morgan, Margaret H. | A Rhetorical Context for Virginia Woolf | Virginia Woolf: Texts and Contexts | N/A | Ed. Beth Rigel Daugherty and Eileen Barrett | New York, NY | Pace UP | 1996 | 16-20 | Citation 233 |
234 | Morzhenkova, Natalia | The Cultural and Poetic Synthesis in Virginia Woolf’s Texts | Woolf across Cultures | N/A | Ed. Natalya Reinhold | New York, NY | Pace UP | 2004 | 261-68 | Citation 234 |
235 | Moses, John William | ‘Soliloquies in Solitude’: Virginia Woolf and the Romantic Imagination | Dissertation Abstracts International | 50.6 | N/A | N/A | N/A | 1989 | 1668A | Citation 235 |
236 | Mossuz-Lavau, Janine | Dominants et dominées | Magazine Littéraire | 369 | N/A | N/A | N/A | 1998 | 57-59 | Citation 236 |
237 | Munca, Daniela | Virginia Woolf’s Answer to ‘Women Can’t Paint, Women Can’t Write’ in To the Lighthouse | Journal of International Women’s Studies | 10.4 | N/A | N/A | N/A | 2009 | 276-289 | Citation 237 |
238 | Murphy, Joseph C. | Shadows on the Rock and To the Lighthouse: A Bakhtinian Perspective | Willa Cather Pioneer Memorial Newsletter | 31.3 | N/A | N/A | N/A | 1987 | 31-37 | Citation 238 |
239 | Nantet, Marie-Victoire | Peindre la vie | Imaginaires: Revue du Centre de Recherche sur l’Imaginaire dans les Littératures de Langue Anglaise | 3 | N/A | N/A | N/A | 1998 | 105-11 | Citation 239 |
240 | Neel, Alexandra | The Photography of Antarctica: Virginia Woolf’s Letters of Discovery | Woolf and the Art of Exploration: Selected Papers from the Fifteenth International Conference on Virginia Woolf | N/A | Ed. Helen Southworth, Elisa Kay Sparks, and Rishona Zimring | Clemson, SC | Clemson University Digital | 2006 | 203-11 | Citation 240 |
241 | Neverow, Vara | Compulsory Heterosexuality and the Lesbian Continuum in To the Lighthouse: A Woman’s Studies Approach | Approaches to Teaching Woolf’s To the Lighthouse | N/A | Ed. Beth Rigel Daugherty and Mary Beth Pringle | New York, NY | Modern Language Association of America | 2001 | 169-75 | Citation 241 |
242 | Newman, Hilary | Mrs Stephen in The Mausoleum Book and Mrs Ramsay in To the Lighthouse | Virginia Woolf Bulletin of the Virginia Woolf Society of Great Britain | 2 | N/A | N/A | N/A | 1999 | 37-41 | Citation 242 |
243 | Nielson, Kathleen Buswell | Comedy in Twentieth Century Fiction: The Ambassadors, A Passage to India, To the Lighthouse, and Surfacing | Dissertation Abstracts International | 48.3 | N/A | N/A | N/A | 1987 | 648A | Citation 243 |
244 | Niwa-Heinen, Maureen Anne | Relational Narrative Desire: Intersubjectivity and Transsubjectivity in the Novels of H. D. and Virginia Woolf | Dissertation Abstracts International, Section A: The Humanities and Social Sciences | 65.4 | N/A | N/A | N/A | 2004 | 1381-82 | Citation 244 |
245 | Noyd, Jamie Lynn | Exploring Literary Pilgrimage: Interpreting Literature at the Intersection of Story, Place, and Reader | Dissertation Abstracts International, Section A: The Humanities and Social Sciences | 68.11 | N/A | N/A | N/A | 2008 | 4717 | Citation 245 |
246 | Nussbaum, Martha C. | The Window: Knowledge of Other Minds in Virginia Woolf’s To the Lighthouse | Ordinary Language Criticism: Literary Thinking after Cavell after Wittgenstein | N/A | Ed. Kenneth Dauber and Walter Jost | Evanston, IL | Northwestern UP | 2003 | 55-76 | Citation 246 |
247 | Nussbaum, Martha C. | The Window: Knowledge of Other Minds in Virginia Woolf’s To the Lighthouse | The British Tradition in 20th Century Philosophy | Schriftenreihe der Wittgensteingesellschaft 22 | Ed. Jaakko Hintikka and Klaus Puhl | Vienna, Austria | Hölder-Pichler-Tempsky | 1995 | 27-42 | Citation 247 |
248 | Nussbaum, Martha C. | The Window: Knowledge of Other Minds in Virginia Woolf’s To the Lighthouse | New Literary History: A Journal of Theory and Interpretation | 26.4 | N/A | N/A | N/A | 1995 | 731-53 | Citation 248 |
249 | Okumura, Sayaka | Women Knitting: Domestic Activity, Writing, and Distance in Virginia Woolf’s Fiction | English Studies: A Journal of English Language and Literature | 89.2 | N/A | N/A | N/A | 2008 | 166-181 | Citation 249 |
250 | Oldham, Madeleine | To the Lighthouse | TheatreForum | 33 | N/A | N/A | N/A | 2008 | 36-38 | Citation 250 |
251 | Oliveira, Solange Ribeiro de | A Arte como Conhecimento: To the Lighthouse de Virginia Woolf | Ilha do Desterro: A Journal of Language and Literature | 24.2 | N/A | N/A | N/A | 1990 | 39-63 | Citation 251 |
252 | Oliveira, Solange Ribeiro de | Literatura e Artes Plásticas: Leitura Masculina, Leitura Feminina | Remate de Males: Revista do Departamento de Teoria Literária | 16 | N/A | N/A | N/A | 1996 | 27-41 | Citation 252 |
253 | Owen, Meirion | The Resonance of Bennett’s Anna of the Five Towns in Woolf’s To the Lighthouse | Notes and Queries | 54 (252).2 | N/A | N/A | N/A | 2007 | 160-63 | Citation 253 |
254 | Oxindine, Annette | Pear Trees beyond Eden: Women’s Knowing Reconfigured in Woolf’s To the Lighthouse and Hurston’s Their Eyes Were Watching God | Approaches to Teaching Woolf’s To the Lighthouse | N/A | Ed. Beth Rigel Daugherty and Mary Beth Pringle | New York, NY | Modern Language Association of America | 2001 | 163-68 | Citation 254 |
255 | Paccaud-Huguet, Josiane | To the Lighthouse: The Jarring Rebus of Subjectivity | Etudes Britanniques Contemporaines: Revue de la Société d’Etudes Anglaises Contemporaines | N/A | N/A | N/A | N/A | 1999 | 45-60 | Citation 255 |
256 | Palacios, Manuela | The Linguistic Politics of Translation: Translating Woolf into Galician | Virginia Woolf Miscellany | 54 | N/A | N/A | N/A | 1999 | 8-9 | Citation 256 |
257 | Palls, Terry L. | The Miracle of the Ordinary: Literary Epiphany in Virginia Woolf and Clarice Lispector | Luso-Brazilian Review | 21.1 | N/A | N/A | N/A | 1984 | 63-78 | Citation 257 |
258 | Papoulis, Irene Engwall | Virginia Woolf’s Use of Language in To the Lighthouse, The Waves, and A Room of One’s Own | Dissertation Abstracts International | 47.11 | N/A | N/A | N/A | 1987 | 4090A | Citation 258 |
259 | Park, Eun Kyung | [Between Intimacy and Distance: An Ethics of Love in Virginia Woolf] | Feminist Studies in English Literature | 13.1 | N/A | N/A | N/A | 2005 | 67-86 | Citation 259 |
260 | Paul, Janis M. | Teaching To the Lighthouse as a Traditional Novel | Approaches to Teaching Woolf’s To the Lighthouse | N/A | Ed. Beth Rigel Daugherty and Mary Beth Pringle | New York, NY | Modern Language Association of America | 2001 | 35-40 | Citation 260 |
261 | Pedersen, Glenn | Vision in To the Lighthouse | PMLA: Publications of the Modern Language Association of America | 73.5 | N/A | N/A | N/A | 1958 | 585-600 | Citation 261 |
262 | Pellan, Françoise | Leslie Stephen and the Harvest Moon | Virginia Woolf Miscellany | 33 | N/A | N/A | N/A | 1989 | 6-7 | Citation 262 |
263 | Penello, Nicoletta | Translating Theme: More Than ‘First Position in the Clause’ | Linguistica e Filologia | 13 | N/A | N/A | N/A | 2001 | 131-50 | Citation 263 |
264 | Perkins, Wendy Barker | The Politics of Form: Narrative Segmentation in Conrad, Lawrence, Woolf, and Hemingway | Dissertation Abstracts International | 57.6 | N/A | N/A | N/A | 1996 | 2494A | Citation 264 |
265 | Perkins, Wendy | Virginia Woolf’s Dialogues with the ‘New Woman’ | Family Matters in the British and American Novel | N/A | Ed. Andrea O’Reilly Herrera, Elizabeth Mahn Nollen, and Sheila Reitzel Foor | Bowling Green, OH | Popular | 1997 | 149-66 | Citation 265 |
266 | Petríc-Bajlo, Estella | Playing Roles (A Reading of Virginia Woolf’s Novel To the Lighthouse) | Studia Romanica et Anglica Zagrabiensia | 42 | N/A | N/A | N/A | 1997 | 299-313 | Citation 266 |
267 | Pierce, Joanna Tapp | Placing Modernism: The Fictional Ecologies of Virginia Woolf, Winifred Holtby, and Elizabeth Bowen | Dissertation Abstracts International, Section A: The Humanities and Social Sciences | 61.7 | N/A | N/A | N/A | 2001 | 2734 | Citation 267 |
268 | inkerton, Mary | Reading Provisionally: Narrative Theory and To the Lighthouse | Approaches to Teaching Woolf’s To the Lighthouse | N/A | Ed. Beth Rigel Daugherty and Mary Beth Pringle | New York, NY | Modern Language Association of America | 2001 | 60-65 | Citation 268 |
269 | Plummer, Patricia | Re-Writing the House of Fiction: Michèle Roberts’s Daughters of the House | Engendering Realism and Postmodernism: Contemporary Writers in Britain | N/A | Ed. Beate Neumeier | Amsterdam, Netherlands | Rodopi | 2001 | 63-85 | Citation 269 |
270 | Poresky, Louise A. | Cather and Woolf in Dialogue: The Professor’s House and To the Lighthouse | Papers on Language and Literature: A Journal for Scholars and Critics of Language and Literature | 44.1 | N/A | N/A | N/A | 2008 | 67-86 | Citation 270 |
271 | Poster, Jem | A Combination of Interest: Virginia Woolf’s To the Lighthouse | Critical Survey | 8.2 | N/A | N/A | N/A | 1996 | 210-15 | Citation 271 |
272 | Pratt, Annis | Twenty Years To the Lighthouse: A Teaching Voyage | Approaches to Teaching Woolf’s To the Lighthouse | N/A | Ed. Beth Rigel Daugherty and Mary Beth Pringle | New York, NY | Modern Language Association of America | 2001 | 72-78 | Citation 272 |
273 | Rapaport, Herman | Geoffrey Hartman and the Spell of Sounds | Rhetoric and Form: Deconstruction at Yale | N/A | Ed. Robert Con Davis, Ronald, Schleifer, and Gita Rajan | Norman | U of Oklahoma P | 1985 | 159-177 | Citation 273 |
274 | Raschke, Debrah | To the Lighthouse ‘Through the Looking Glass’: Woolf’s and Irigaray’s Metaphysics | Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf | N/A | Ed. Laura Davis, Jeanette McVicker, and Jeanne Dubino | New York, NY | Pace UP | 1998 | 288-93 | Citation 274 |
275 | Reichman, Ravit | Taking Care: Injury and Responsibility in Literature and Law | Dissertation Abstracts International, Section A: The Humanities and Social Sciences | 64.10 | N/A | N/A | N/A | 2004 | 3677 | Citation 275 |
276 | Reichman, Ravit | The Affective Life of Law: Legal Modernism and the Literary Imagination | N/A | Cultural Lives of Law | N/A | Stanford, CA | Stanford UP | 2009 | N/A | Citation 276 |
277 | Reid, Susan | Killing the Angel in the House: Virginia Woolf, D. H. Lawrence, and the Boundaries of Sex and Gender | Woolfian Boundaries: Selected Papers from the Sixteenth Annual International Conference on Virginia Wool | N/A | Ed. Anna Burrells, et al. | Clemson, SC | Clemson University Digital | 2007 | 65-71 | Citation 277 |
278 | Richter, Virginia | The Differential Construction of Masculinity in the Writings of Virginia Woolf | Women Constructing Men: Female Novelists and Their Male Characters, 1750-2000 | N/A | Ed. Sarah S. G. Frantz and Katharina Rennhak | Plymouth, England | Lexington | 2010 | 155-170 | Citation 278 |
279 | Rojas, Yuko | Proustian Reminiscence in To the Lighthouse | Studies in the Novel | 41.4 | N/A | N/A | N/A | 2009 | 451-467 | Citation 279 |
280 | Rosenfeld, Natania | Turning Back: Retracing Twentieth-Century Trauma in Virginia Woolf, Martin Amis, and W. G. Sebald | Partial Answers: Journal of Literature and the History of Ideas | 2.2 | N/A | N/A | N/A | 2004 | 109-37 | Citation 280 |
281 | Rubenstein, Roberta | ‘I Meant Nothing by The Lighthouse’: Virginia Woolf’s Poetics of Negation | Journal of Modern Literature | 31.4 | N/A | N/A | N/A | 2008 | 36-53 | Citation 281 |
282 | Rubini, Luisa | Virginia Woolf and the Flounder: The Refashioning of Grimms’ ‘The Fisherman and His Wife’ (KHM 19, AaTh/ATU 555) in ‘To the Lighthouse’ | Fabula: Zeitschrift für Erzählforschung/Journal of Folktale Studies/Revue d’Etudes sur le Conte Populair | 47.3-4 | N/A | N/A | N/A | 2006 | 289-307 | Citation 282 |
283 | Rudikoff, Sonya | Woolf’s Own Representations and What They May Tell Us | Virginia Woolf Miscellany | 33 | N/A | N/A | N/A | 1989 | 4-5 | Citation 283 |
284 | Rudikoff, Sonya | Woolf’s Own Representations and What They May Tell Us | Virginia Woolf Miscellany | 33 | N/A | N/A | N/A | 1989 | 4-5 | Citation 284 |
285 | Sadrin, Anny | Time, Tense, Weather in Three ‘Flood Novels’: Bleak House, The Mill on the Floss, To the Lighthouse | Yearbook of English Studies | 30 | N/A | N/A | N/A | 2000 | 96-105 | Citation 285 |
286 | Saignes, Anna | Les Faux-Monnayeurs et Vers le phare: Récits spéculaires ou récits pour spéculer? | Recherches et Travaux | 60 | N/A | N/A | N/A | 2002 | 57-75 | Citation 286 |
287 | Sakamoto, Tadanobu | ‘Where Has She Gone?’ Mrs. Ramsay’s Survival in To the Lighthouse | Virginia Woolf Bulletin of the Virginia Woolf Society of Great Britain | 23 | N/A | N/A | N/A | 2006 | 27-33 | Citation 287 |
288 | Saxton, Ruth | The Female Body Veiled: From Crocus to Clitoris. | Woolf and Lessing: Breaking the Mold | N/A | Ed. Ruth Saxton and Jean Tobin | New York | St. Martin’s | 1994 | 95-122 | Citation 288 |
289 | Schabouk, Werner | Relativismus und Perspektivismus: Zum Standort des Erzählers bei Pirandello, Kafka und V. Woolf | Pirandello und die europäische Erzählliteratur des 19. und 20. Jahrhunderts | Abhandlungen zur Sprache und Literatur 30 | Ed. Michael Rössner, et al | Bonn | Romanistischer | 1990 | 119-140 | Citation 289 |
290 | Schaub, Danielle | Virginia Woolf Revisited: Janice Kulyk Keefer’s Rest Harrow | Precarious Present/Promising Future? Ethnicity and Identities in Canadian Literature | N/A | Ed. Danielle Schaub, Janice Kulyk Keefer, and Richard E. Sherwin | Jerusalem, Israel | Magnes | 1996 | 97-112 | Citation 290 |
291 | Schaub, Joseph Christopher | Waves of Pure Lemon: Afterthoughts | Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf | N/A | Ed. Laura Davis, Jeanette McVicker, and Jeanne Dubino | New York, NY | Pace UP | 1998 | 18-19 | Citation 291 |
292 | Schellinger, Sharon Jones | The Three Faces of Imagination | Dissertation Abstracts International, Section B: The Sciences and Engineering | 59.6 | N/A | N/A | N/A | 1998 | 999-1001 | Citation 292 |
293 | Schraefel, Monica M. C. | Talking with Antigone | Dissertation Abstracts International, Section A: The Humanities and Social Sciences | 59.11 | N/A | N/A | N/A | 1999 | 3997 | Citation 293 |
294 | Schug, Charles | The Romantic Genesis of the Modern Novel | Critical Essays in Modern Literature. | N/A | N/A | Pittsburgh | U of Pittsburgh P | 1979 | N/A | Citation 294 |
295 | Serres, Michel | Feux et Signaux de Brume: Virginia Woolf’s Lighthouse | SubStance: A Review of Theory and Literary Criticism | 37.2 [116] | Trans. Judith E. Adler | N/A | N/A | 2008 | 110-131 | Citation 295 |
296 | Seshagiri, Urmila | Orienting Virginia Woolf: Race, Aesthetics, and Politics in To the Lighthouse | MFS: Modern Fiction Studies | 50.1 | N/A | N/A | N/A | 2004 | 58-84 | Citation 296 |
297 | Shaw, John | ‘Luriana, Lurilee’ Revisited I: ‘A Garden Song’: Leonard Woolf’s Manuscript Copy: The ‘Right Version’ of the Poem? | Notes and Queries | 52 (250).1 | N/A | N/A | N/A | 2005 | 89-93 | Citation 297 |
298 | Sherman, David | A Plot Unraveling into Ethics: Woolf, Levinas, and ‘Time Passes’ | Woolf Studies Annual | 13 | N/A | N/A | N/A | 2007 | 159-79 | Citation 298 |
299 | Shihada, Isam M. | A Feminist Perspective of Virginia Woolf’s Selected Novels: Mrs. Dalloway and To the Lighthouse | International Journal of Arabic-English Studies | 6 | N/A | N/A | N/A | 2005 | 15-34 | Citation 299 |
300 | Shirkhani, Kimberly | The Particularities of the English: Class, Classification and National Identity in the British Modernist Novel | Dissertation Abstracts International, Section A: The Humanities and Social Sciences | 70.4 | N/A | N/A | N/A | 2009 | 1288 | Citation 300 |
301 | Siciliani, Erina | Storie di donne artiste: Un viaggio verso il faro | La tipografia nel salotto: Saggi su Virginia Woolf | Voci del Tempo: Studi di Critica Letteraria | Ed. Oriana Palusci | Turin, Italy | Tirrenia | 1999 | 185-202 | Citation 301 |
302 | Silbergleid, Robin Paula | ‘We Perished, Each Alone’: Loss and Lyricism in Woolf, Maso, and Young | Virginia Woolf and Communities | N/A | Ed. Jeanette McVicker, Laura Davis, and Georgia Johnston | New York, NY | Pace UP | 1999 | 57-64 | Citation 302 |
303 | Silver, Brenda R. | Mothers, Daughters, Mrs. Ramsay: Reflections | WSQ: Women’s Studies Quarterly | 37.3-4 | N/A | N/A | N/A | 2009 | 259-274 | Citation 303 |
304 | Silver, Brenda. | Editing Mrs. Ramsay, or, ‘8 Qualities of Mrs. Ramsay That Could Be Annoying to Others’ | Woolf Editing/Editing Woolf | N/A | Ed. Eleanor McNees and Sara Veglahn | Clemson, SC | Clemson University Digital | 2009 | 1-10 | Citation 304 |
305 | Sinclair, Carol Stella | Politics in the Life and Art of Virginia Woolf | Dissertation Abstracts International, Section A: The Humanities and Social Sciences | 57.8 | N/A | N/A | N/A | 1997 | 3512 | Citation 305 |
306 | Smith, Angela | Thresholds in ‘Prelude’ and To the Lighthouse | Commonwealth Essays and Studies | 4 | N/A | N/A | N/A | 1997 | 39-49 | Citation 306 |
307 | Smith, Susan Bennett | Reinventing Grief Work: Virginia Woolf’s Feminist Representations of Mourning in Mrs. Dalloway and To the Lighthouse | Twentieth Century Literature: A Scholarly and Critical Journal | 41.4 | N/A | N/A | N/A | 1995 | 310-27 | Citation 307 |
308 | Smith-DiBiasio, Anne-Marie | ‘The Ebb and Flow of Conversation’: A Metaphorics of Maternal Presence | Etudes Britanniques Contemporaines: Revue de la Société d’Etudes Anglaises Contemporaines | N/A | N/A | N/A | N/A | 2004 | 81-90 | Citation 308 |
309 | Solomon, Susan | Editorial Deletion: Presenting Absence in To the Lighthouse | Woolf Editing/Editing Woolf | N/A | Ed. Eleanor McNees and Sara Veglahn | Clemson, SC | Clemson University Digital | 2009 | 25-28 | Citation 309 |
310 | Sotirova, Violeta, Lesley Jeffries | Woolf’s Experiments with Consciousness in Fiction | Contemporary Stylistics | N/A | Ed. Marina Lambrou and Peter Stockwell | London, England | Continuum | 2007 | 7-18 | Citation 310 |
311 | Sotirova, Violeta | A Comparative Analysis of Indices of Narrative Point of View in Bulgarian and English | Point of View, Perspective, and Focalization: Modeling Mediation in Narrative | Narratologia: Contributions to Narrative Theory/Beiträge zur Erzähltheorie 17 | Ed. Peter Hühn, Wolf Schmid, and Jörg Schönert | Berlin, Germany | de Gruyter | 2009 | 163-182 | Citation 311 |
312 | Southard, Kristine D’Onofrio | Virginia Woolf: A Reception History of ‘Mrs. Dalloway,’ ‘To the Lighthouse’ and ‘Orlando: A Biography’ | Dissertation Abstracts International, Section A: The Humanities and Social Sciences | 63.4 | N/A | N/A | N/A | 2002 | 1360 | Citation 312 |
313 | Sparks, Elisa Kay | ‘The Evening under Lamplight … with the Photograph Album’: To the Lighthouse as a Family Scrapbook | Woolfian Boundaries: Selected Papers from the Sixteenth Annual International Conference on Virginia Woolf | N/A | Ed. Anna Burrells, et al. | Clemson, SC | Clemson University Digital | 2007 | 164-71 | Citation 313 |
314 | Spivak, Gayatri C. | Unmaking and Making in To the Lighthouse | Women and Language in Literature and Society | N/A | Ed. Sally McConnell-Ginet, Ruth Borker, and Nelly Furman | New York | Praeger | 1980 | 310-327 | Citation 314 |
315 | Stalla, Heidi | William Bankes: Echoes of Egypt in Virginia Woolf’s To the Lighthouse | Woolf Studies Annual | 14 | N/A | N/A | N/A | 2008 | 21-34 | Citation 315 |
316 | Stark, Anne H., Julie M. Ford, and Tonya M. Stephenson | Two Teaching Tools for Introducing the Female Hero in Virginia Woolf’s To the Lighthouse | The Image of the Hero in Literature, Media, and Society | N/A | Ed. Will Wright and Steven Kaplan | Pueblo, CO | Colorado State University | 2004 | 88-95 | Citation 316 |
317 | Steinberg, Erwin R. | G. E. Moore’s Table and Chair in To the Lighthouse | Journal of Modern Literature | 15.1 | N/A | N/A | N/A | 1988 | 161-168 | Citation 317 |
318 | Stelmach, Kathryn | From Text to Tableau: Ekphrastic Enchantment in Mrs. Dalloway and To the Lighthouse | Studies in the Nove | 38.3 | N/A | N/A | N/A | 2006 | 304-26 | Citation 318 |
319 | Sterk, Kay Puttock | Autobiographical Fiction: Virginia Woolf and D. H. Lawrence | Dissertation Abstracts International | 42.2 | N/A | N/A | N/A | 1981 | 699A | Citation 319 |
320 | Stevenson, Randall, Jane Goldman | ‘But What? Elegy?’: Modernist Reading and the Death of Mrs Ramsay | Yearbook of English Studies | 26 | N/A | N/A | N/A | 1996 | 173-86 | Citation 320 |
321 | Stewart, Jack F. | Color in To the Lighthouse | Twentieth Century Literature: A Scholarly and Critical Journal | 31.4 | N/A | N/A | N/A | 1985 | 438-58 | Citation 321 |
322 | Stewart, Jack F. | Light in To the Lighthouse | Twentieth Century Literature: A Scholarly and Critical Journal | 23.3 | N/A | N/A | N/A | 1977 | 377-89 | Citation 322 |
323 | Stewart, Jack | A ‘Need of Distance and Blue’: Space, Color, and Creativity in To the Lighthouse | Twentieth Century Literature: A Scholarly and Critical Journal | 46.1 | N/A | N/A | N/A | 2000 | 78-99 | Citation 323 |
324 | Stewart, Jim | Woolf and Andrew Marvell: The Gendering of Modernism | Woolfian Boundaries: Selected Papers from the Sixteenth Annual International Conference on Virginia Woolf | N/A | Ed. Anna Burrells, et al. | Clemson, SC | Clemson University Digital | 2007 | 30-35 | Citation 324 |
325 | Stock, Brian | Il dilemma del lettore: Lettura ascetica e lettura estetica nella cultura occidentale | Lettere Italiane | 60.1 | Trans. Carlo Coën | N/A | N/A | 2008 | 3-17 | Citation 325 |
326 | Stockton, Sharon | Public Space and Private Time: Perspective in To the Lighthouse and in Einstein’s Special Theory | Essays in Arts and Sciences | 27 | N/A | N/A | N/A | 1998 | 95-115 | Citation 326 |
327 | Storl, Heidi | Heidegger in Woolf’s Clothing | Philosophy and Literatur | 32.2 | N/A | N/A | N/A | 2008 | 303-314 | Citation 327 |
328 | Strehle, Ralph | A Risky Business: Internal Time and Objective Time in Husserl and Woolf | Literature and Philosophy: A Guide to Contemporary Debates | N/A | Ed. David Rudrum | New York, NY | Palgrave Macmillan | 2006 | 81-91 | Citation 328 |
329 | Strouse, Louise F. | Virginia Woolf: Her Voyage Back | American Imago: Studies in Psychoanalysis and Culture | 38.2 | N/A | N/A | N/A | 1981 | 185-203 | Citation 329 |
330 | Sultzbach, Kelly Elizabeth | Embodied Modernism: The Flesh of the World in E. M. Forster, Virginia Woolf, and W. H. Auden | Dissertation Abstracts International, Section A: The Humanities and Social Sciences | 69.10 | N/A | N/A | N/A | 2009 | 3947 | Citation 330 |
331 | Sumner, Rosemary | An Experiment in Fiction: ‘The Thing That Exists When We Aren’t There’ | Virginia Woolf Bulletin of the Virginia Woolf Society of Great Britain | 1 | N/A | N/A | N/A | 1999 | 17-18 | Citation 331 |
332 | Sundin, Lena | Iconicity in the Writing Process: Virginia Woolf’s ‘To the Lighthouse’ and Gerald Murnane’s ‘Inland’ | Dissertation Abstracts International, Section C: Worldwide | 65.3 | N/A | N/A | N/A | 2004 | 590.w | Citation 332 |
333 | Swanson, Diana L. | The Lesbian Feminism of Woolf’s To the Lighthouse | Re: Reading, Re: Writing, Re: Teaching Virginia Woolf | N/A | Ed. Eileen Barrett, Patricia Cramer, and Paul Connolly | New York, NY | Pace UP | 1995 | 38-44 | Citation 333 |
334 | Thickstun, William | Visionary Closure in the Modern Novel | Dissertation Abstracts Internation | 45.5 | N/A | N/A | N/A | 1984 | 1396A | Citation 334 |
335 | Tickner, Lisa | Vanessa Bell: Studland Beach, Domesticity, and ‘Significant Form’ | Representations | 65 | N/A | N/A | N/A | 1999 | 63-92 | Citation 335 |
336 | Tidd, Ursula | Mourning and the Ethics of Form in Sartre’s La Nausée and Woolf’s To the Lighthouse | Journal of Romance Studies | 6.1-2 | N/A | N/A | N/A | 2006 | 209-20 | Citation 336 |
337 | Tobin, Vera | Joint Attention, To the Lighthouse, and Modernist Representations of Intersubjectivity | English Text Construction | 3.2 | N/A | N/A | N/A | 2010 | 185-202 | Citation 337 |
338 | Tonga, Necati | Modern Bir Roman Olarak Deniz Feneri | Hece: Aylık Edebiyat Dergisi | 12.134 | N/A | N/A | N/A | 2008 | 148-152 | Citation 338 |
339 | Tosun, Necip | Modernizmin Eleştirel Dili Bilinç Akımı | Hece Öykü: İki Aylık Öykü Dergisi | 1.26 | N/A | N/A | N/A | 2008 | 39-48 | Citation 339 |
340 | Tremper, Ellen | ‘The Earth of Our Earliest Life’: Mr. Carmichael in To the Lighthouse | Journal of Modern Literature | 19.1 | N/A | N/A | N/A | 1994 | 163-71 | Citation 340 |
341 | Tromanhauser, Vicki | Virginia Woolf’s Sacrificial Plots | Dissertation Abstracts International, Section A: The Humanities and Social Sciences | 66.5 | N/A | N/A | N/A | 2005 | 1783 | Citation 341 |
342 | Tudeau-Clayton, Margaret | ‘Time Passes’-Virginia Woolf’s Virgilian Passage to the Future Past Masterpieces: A la Recherche du temps perdu and To the Lighthouse | Comparative Critical Studies | 3.3 | N/A | N/A | N/A | 2006 | 291-323 | Citation 342 |
343 | Turner, Frederick | Transcending Biological and Social Reductionism | SubStance: A Review of Theory and Literary Criticism | 30.1-2 [94-95] | N/A | N/A | N/A | 2001 | 220-35 | Citation 343 |
344 | Turner, Rosa Shand | The Space of Monuments: To the Lighthouse, Lord Jim, The Return of the Native, and Wuthering Heights through the Poetics of Gaston Bachelard | Dissertation Abstracts International | 45.3 | N/A | N/A | N/A | 1984 | 851A | Citation 344 |
345 | Tygstrup, Frederik | Still Life: The Experience of Space in Modernist Prose | Modernism | N/A | Ed. Astradur Eysteinsson and Vivian Liska | Amsterdam, Netherlands | Benjamins | 2007 | 253-69 | Citation 345 |
346 | Tyler, Lisa | ‘I Am Not What You Supposed’: Walt Whitman’s Influence on Virginia Woolf | Virginia Woolf: Texts and Contexts | N/A | Ed. Beth Rigel Daugherty and Eileen Barrett | New York | Pace UP | 1996 | 110-16 | Citation 346 |
347 | Tyler, Lisa | Mother-Daughter Passion and Rapture: The Demeter Myth in the Fiction of Virginia Woolf and Doris Lessing | Woolf and Lessing: Breaking the Mold | Ed. Ruth Saxton and Jean Tobin | N/A | New York | St. Martin’s, | 1994 | 73-91 | Citation 347 |
348 | Uma, Alladi | ‘I Have Had My Vision’: Virginia Woolf’s To the Lighthouse and Anita Desai’s Where Shall We Go This Summer? | The Literary Criterion | 22.3 | N/A | N/A | N/A | 1987 | 73-77 | Citation 348 |
349 | Ussia, Matt | Necrophilia on Holiday: Constriction of Discourse and the Male Burden of Non-’Z-Men’ in To the Lighthouse’s Mr. Ramsay and Coming Up for Air’s | EAPSU Online: A Journal of Critical and Creative Work | 2 | N/A | N/A | N/A | 2005 | 54-72 | Citation 349 |
350 | Usui, Masami | Lily as One of the Women Painters of the St. Ives School | Virginia Woolf Bulletin of the Virginia Woolf Society of Great Britain | 4 | N/A | N/A | N/A | 2000 | 13-16 | Citation 350 |
351 | Uzundemir, Özlem | Challenging Gender Roles through Narrative Techniques: Virginia Woolf’s To the Lighthouse | Virginia Woolf Miscellany | 70 | N/A | N/A | N/A | 2006 | 8-10 | Citation 351 |
352 | Vanita, Ruth | Bringing Buried Things to Light: Homoerotic Alliances in To the Lighthouse | Virginia Woolf: Lesbian Readings | Ed. Eileen Barrett and Patricia Cramer | Cutting Edge. | New York, NY | New York UP | 1997 | 165-79 | Citation 352 |
353 | Varley, Jane, Aimee Broe Erdman | Working for Judith Shakespeare: A Study in Feminism | Midwest Quarterly: A Journal of Contemporary Thought | 44.3 | N/A | N/A | N/A | 2003 | 266-81 | Citation 353 |
354 | Verdonk, Peter | Words, Words, Words: A Pragmatic and Socio-Cognitive View of Lexical Repetition | Twentieth-Century Fiction: From Text to Context | N/A | Ed. Peter Verdonk and Jean Jacques Weber | London | Routledge | 1995 | 7-31 | Citation 354 |
355 | Veyu, Ernest L. | Estrangement and Non-Conformism: The Case of Lily Briscoe | Virginia Woolf Miscellany | 70 | N/A | N/A | N/A | 2006 | 12-13 | Citation 355 |
356 | Vieira, Josalba Ramalho | Henri Bergson’s Idea of Duration and Virginia Woolf’s Novels | Ilha do Desterro: A Journal of Language and Literature | 24.2 | N/A | N/A | N/A | 1990 | 9-20 | Citation 356 |
357 | Viola, André | Fluidity versus Muscularity: Lily’s Dilemma in Woolf’s To the Lighthouse | Journal of Modern Literature | 24.2 | N/A | N/A | N/A | 2001 | 271-89 | Citation 357 |
358 | Viola, André | The Body under Erasure: To the Lighthouse | Cycnos | 20.2 | N/A | N/A | N/A | 2003 | 71-78 | Citation 358 |
359 | Vlasopolos, Anca | Focalization, the Cinematic Gaze, and Romance in Meredith and Woolf | Woolf Studies Annual | 7 | N/A | N/A | N/A | 2001 | 3-22 | Citation 359 |
360 | Vrana, Sandra | Mothers and Daughters in Women’s Writings of the Nineteenth and Twentieth Centuries | Dissertation Abstracts International | 56.9 | N/A | N/A | N/A | 1996 | 3598A-99A | Citation 360 |
361 | Walker, Brandy Brown | Lily’s Last Stroke: Painting in Process in Virginia Woolf’s To the Lighthouse | Virginia Woolf and the Arts: Selected Papers from the Sixth Annual Conference on Virginia Woolf | N/A | Ed. Diane F. Gillespie and Leslie K. Hankins | New York, NY | Pace UP | 1997 | 32-38 | Citation 361 |
362 | Walsh, Kelly S. | The Unbearable Openness of Death: Elegies of Rilke and Woolf | Journal of Modern Literature | 32.4 | N/A | N/A | N/A | 2009 | 1-21 | Citation 362 |
363 | Wareham, John | Woolf’s To the Lighthouse | Explicator | 52.3 | N/A | N/A | N/A | 1994 | 167-69 | Citation 363 |
364 | Watanabe, Junko | [Some Shape of Beauty: An Essay on Virginia Woolf] | Collected Essays by the Members of the Faculty | 28 | N/A | N/A | N/A | 1985 | 51-62 | Citation 364 |
365 | Waugh, Patricia | Revising the Two Cultures Debate: Science, Literature, and Value | The Arts and Sciences of Criticism | N/A | Ed. David Fuller and Patricia Waugh | Oxford, England | Oxford UP | 1999 | 33-59 | Citation 365 |
366 | Weil, Lise | Entering a Lesbian Field of Vision: To the Lighthouse and Between the Acts | Virginia Woolf: Lesbian Readings | Cutting Edge | Ed. Eileen Barrett and Patricia Cramer | New York, NY | New York UP | 1997 | 241-58 | Citation 366 |
367 | Westling, Louise | Virginia Woolf and the Flesh of the World | New Literary History: A Journal of Theory and Interpretation | 30.4 | N/A | N/A | N/A | 1999 | 855-75 | Citation 367 |
368 | Weston, Anita | Of Meat and Metaphor: The Life of Signifier in To the Lighthouse | La performance del testo | N/A | Ed. Franco Marucci and Adriano Bruttini | Siena | Ticci | 1986 | 383-392 | Citation 368 |
369 | Whitworth, Michael | Porous Objects: Self, Community, and the Nature of Matter | Virginia Woolf Out of Bounds: Selected Papers from the Tenth Annual Conference on Virginia Woolf | N/A | Ed. Jessica Berman and Jane Goldman | New York, NY | Pace UP | 2001 | 151-56 | Citation 369 |
370 | Wilson, Anne Krichels | Revising the Lighthouse: Interrogations of Christian Narrative Models in the Literature of the Transition | Dissertation Abstracts International, Section A: The Humanities and Social Sciences | 59.1 | N/A | N/A | N/A | 1998 | 186 | Citation 370 |
371 | Wilson, Mary Elizabeth | On the Threshold: Placing Servants in Modernist Domesticity | Dissertation Abstracts International, Section A: The Humanities and Social Sciences | 70.6 | N/A | N/A | N/A | 2009 | 2048 | Citation 371 |
372 | Winston, Janet | ‘Something Out of Harmony’: To the Lighthouse and the Subject(s) of Empire. | Woolf Studies Annual | 2 | N/A | N/A | N/A | 1996 | 39-70 | Citation 372 |
373 | Winston, Janet | Woolf’s To the Lighthouse | N/A | N/A | N/A | London, England | Continuum | 2009 | N/A | Citation 373 |
374 | Wolfs, Rob | Passage(s) in To the Lighthouse | Restant: Tijdschrift voor Recente Semiotische Teorievorming en de Analyse van Teksten/Review for Semiotic The | 15.2 | N/A | N/A | N/A | 1987 | 229-244 | Citation 374 |
375 | Wurtz, James F. | ‘I Have Had My Vision’: Empire and the Aesthetic in Woolf’s To the Lighthouse | Woolf Studies Annual | 16 | N/A | N/A | N/A | 2010 | 95-110 | Citation 375 |
376 | Wyatt, Jean | The Celebrations of Eros: Greek Concepts of Love and Beauty in To the Lighthouse | Philosophy and Literature | 2.2 | N/A | N/A | N/A | 1978 | 160-175 | Citation 376 |
377 | Yunis, Susan | To the Lighthouse and Painting | Approaches to Teaching Woolf’s To the Lighthouse | N/A | Ed. Beth Rigel Daugherty and Mary Beth Pringle | New York, NY | Modern Language Association of America | 2001 | 129-35 | Citation 377 |
378 | Zeiger, Melissa Fran | ‘Lilacs Out of the Dead Land’: Changes in the Modern Elegy | Dissertation Abstracts International | 47.8 | N/A | N/A | N/A | 1987 | 3034A | Citation 378 |
379 | Zeiss, McKenzie L. | The Political Legacy of the Garden: (Anti)Pastoral Images and National Identity in Virginia Woolf and Vita Sackville-West | Woolf in the Real World | N/A | Ed. Karen V. Kukil. | Northampton, MA | Clemson University Digital | 2005 | 100-04 | Citation 379 |
380 | Zeng, Dawei | [Woolf’s To the Lighthouse and Faulkner’s Sanctuary: An Analysis of Stylistic Features] | Wai guo yu/Journal of Foreign Languages | 5 (39) | N/A | N/A | N/A | 1985 | 37-44 | Citation 380 |
381 | Zumkhawala-Cook, Richard | Tae the Lichthoose | Virginia Woolf: Art, Education, and Internationalism | N/A | Ed. Diana Royer and Madelyn Detloff | Clemson, SC | Clemson University Digital | 2008 | 57-63 | Citation 381 |
382 | Leaska, Mitchell A. | Virginia Woolf's Lighthouse: A Study in Critical Method. | N/A | N/A | N/A | New York | Columbia UP | 1970 | N/A | Citation 382 |
383 | Barash, David. P. | Why Thomas is so Hardy: Literature Inspired by Evolution to make Sense of the Senseless. | Biology & Philosophy 28.1 | N/A | N/A | N/A | N/A | 2013 | 115-123 | Citation 383 |
384 | Barkway, Stephen. | Bloomsbury Bibliomania: 'Le Temps Passe', Commerce and the Hogarth Press. | Virginia Woolf Bulletin of the Virginia Woolf Society of Great Britain 52 | N/A | N/A | N/A | N/A | 2016 | 42-45 | Citation 384 |
385 | Becanovic-Nikolic, Zorica | Susreti u Tami. Uvod u Citanje Virdzinije Vulf (Encounters in the Dark. an Introduction to Reading Virginia Woolf) | Aspasia 6 | N/A | N/A | N/A | N/A | 2012 | 190-192 | Citation 385 |
386 | Bellamy, Suzanne | The Visual Arts in to the Lighthouse | The Cambridge Companion to to the Lighthouse | N/A | Allison Pease | N/A | Cambridge UP | 2015 | 136-145 | Citation 386 |
387 | Blair, Linda Nicole. | Virginia Woolf and the Power of Story: A Literary Darwinist Reading of Six Novels | N/A | N/A | N/A | N/A | McFarland | 2017 | N/A | Citation 387 |
388 | Boldoni, Mariaelena. | Tradurre to the Lighthouse. | Letteratura e Letterature 6 | N/A | N/A | N/A | N/A | 2012 | 103-112 | Citation 388 |
389 | Boscagli, Maurizia. | Stuff Theory: Everyday Objects, Radical Materialism. | N/A | N/A | N/A | N/A | Bloomsbury | 2014 | N/A | Citation 389 |
390 | Brody, Susan L. | Law, Literature, and the Legacy of Virginia Woolf: Stories and Lessons in Feminist Legal Theory | Texas Journal of Women and the Law 21.1 | N/A | N/A | N/A | N/A | 2011 | 1-45 | Citation 390 |
391 | Bromley, Amy | Virginia Woolf's Surrealist Situation of the Object | Virginia Woolf Miscellany 85 | N/A | N/A | N/A | N/A | 2014 | 21-23 | Citation 391 |
392 | Bu, Jiemin | A Semantic Study of the Tense Backshift and its Literary Effects in FID | Journal of Literary Semantics 45.1 | N/A | N/A | N/A | N/A | 2016 | 49-75 | Citation 392 |
393 | Champion, Margrét Gunnarsdóttir | 'the Feminine Exception': Shaping Observances in Virginia Woolf's to the Lighthouse and D. H. Lawrence's Women in Love. | Ethics and Poetics: Ethical Recognitions and Social Reconfigurations in Modern Narratives | Cambridge Scholars | Margrét Gunnarsdóttir Champion and Irina Rasmussen Goloubeva | N/A | N/A | 2014 | 137-161 | Citation 393 |
394 | Church, Johanna | Literary Representations of Shell Shock as a Result of World War I in the Works of Virginia Woolf and Ernest Hemingway. | Peace & Change 41.1 | N/A | N/A | N/A | N/A | 2016 | 52-63 | Citation 394 |
395 | Clair, Erin | Searching for Lesbian Literary History | Feminist Formations 23.1 | N/A | N/A | N/A | N/A | 2011 | 257-263 | Citation 395 |
396 | Clark, Emily | The Walls are Crumbling Down: Houses as Death Metaphors in Virginia Woolf's Orlando and to the Lighthouse. | Constructing the Literary Self: Race and Gender in Twentieth-Century Literature | Cambridge Scholars | Patsy J. Daniels | N/A | N/A | 2013 | 49-61 | Citation 396 |
397 | Cloake, Felicity | To Bloomsbury for Rice Pudding and Bargain Bins. | New Statesman | N/A | N/A | N/A | N/A | 2014 | 61 | Citation 397 |
398 | Cohler, Deborah. | Introduction: Homefront Frontlines and Transnational Geometries of Empire and Resistance | Feminist Formations 29.1 | N/A | N/A | N/A | N/A | 2017 | N/A | Citation 398 |
399 | Colebrook, Claire | Woolf and Theory | Virginia Woolf in Context | N/A | Bryony Randall and Jane Goldman | N/A | Cambridge UP | 2012 | 65-78 | Citation 399 |
400 | Cook, Tim | 'With several Folds of Blackness on their Eyes': Awakening from the Metaphor of Sleep in to the Lighthouse | Virginia Woolf Bulletin of the Virginia Woolf Society of Great Britain 47 | N/A | N/A | N/A | N/A | 2014 | 16-22 | Citation 400 |
401 | Crossland, Rachel | Exposing the Bones of Desire: Virginia Woolf's X-Ray Vision | Virginia Woolf Miscellany 85 | N/A | N/A | N/A | N/A | 2014 | 18-20 | Citation 401 |
402 | Cuddy-Keane, Melba | Movement, Space, and Embodied Cognition in to the Lighthouse. | The Cambridge Companion to to the Lighthouse | N/A | Allison Pease | N/A | Cambridge UP | 2015 | 58-68 | Citation 402 |
403 | Cui, Yaxiao | Adjacency Pairs and Interactive Consciousness in Virginia Woolf's Novels. | A Quarterly Journal of Aesthetics, Poetics, Stylistics, and Literary Criticism 50.2 | N/A | N/A | N/A | N/A | 2016 | 203-222 | Citation 403 |
404 | Dalgarno, Emily | Reality and Perception: Philosophical Approaches to to the Lighthouse. | The Cambridge Companion to to the Lighthouse | N/A | Allison Pease | N/A | Cambridge UP | 2015 | 69-79 | Citation 404 |
405 | Darvay, Daniel | The Gothic Sublime in Virginia Woolf's to the Lighthouse | Genre: Forms of Discourse and Culture 44.2 | N/A | N/A | N/A | N/A | 2011 | 129-156 | Citation 405 |
406 | Dauber, Maayan P. | Upheavals of Intimacy in to the Lighthouse | Virginia Woolf: Writing the World. | N/A | Pamela L. Caughie and Diana L. Swanson | N/A | Clemson University Digital | 2015 | 185-190 | Citation 406 |
407 | Davis, Brooke | Catching the Light: Finding Words for Grief with Lewis, Didion and Woolf | TEXT: Journal of Writing and Writing Courses 16.2 | N/A | N/A | N/A | N/A | 2012 | N/A | Citation 407 |
408 | Delsandro, Erica Gene | Modernism and Memorials: Virginia Woolf and Christopher Isherwood | Virginia Woolf: Writing the World. | N/A | Pamela L. Caughie and Diana L. Swanson | N/A | Clemson University Digital | 2015 | 30-36 | Citation 408 |
409 | Dennison, Matthew | Death of the Author | The Spectator | N/A | N/A | N/A | N/A | 2011 | N/A | Citation 409 |
410 | Elkins, Amy E. | 2011 SAMLA Graduate Student Essay Award: Cross-Cultural Kodak: Snapshot Aesthetics in the Fiction of Virginia Woolf | South Atlantic Review 77.3-4 | N/A | N/A | N/A | N/A | 2015 | 1-20 | Citation 410 |
411 | Emison, Patricia | Re-Reading Virginia Woolf | Virginia Woolf Bulletin of the Virginia Woolf Society of Great Britain 38 | N/A | N/A | N/A | N/A | 2011 | 9-13 | Citation 411 |
412 | Epstein, Andrew. | The Disruptive Power of Ordinary Things | Journal of Modern Literature 40.2 | N/A | N/A | N/A | N/A | 2017 | 184-188 | Citation 412 |
413 | Faizi, Hamed, and Ali Taghizadeh | Dialogism and Carnival in Virginia Woolf's 'To the Lighthouse': A Bakhtinian Reading | Advances in Language and Literary Studies 6.3 | N/A | N/A | N/A | N/A | 2015 | 109-114 | Citation 413 |
414 | Federici, Annalisa | The Painter in the Novel, the Novelist in the Painting: To the Lighthouse and Vanessa Bell's Portraits of Virginia Woolf. | Modern Humanities Research Association Working Papers in the Humanities 9 | N/A | N/A | N/A | N/A | 2014 | 35-44 | Citation 414 |
415 | Fernald, Anne E. | To the Lighthouse in the Context of Virginia Woolf's Diaries and Life | The Cambridge Companion to to the Lighthouse | N/A | Allison Pease | N/A | Cambridge UP | 2015 | 6-18 | Citation 415 |
416 | Fernihough, Anne | Modernist Materialism: War, Gender, and Representation in Woolf, West, and H.D. | A History of the Modernist Novel | N/A | Gregory Castle | Cambridge UP | N/A | 2015 | 231-253 | Citation 416 |
417 | Fobes, Alexander S. | "F. Scott Fitzgerald, Virginia Woolf, and the Watch for Spots of Time" | F. Scott Fitzgerald Review 11 | N/A | N/A | N/A | N/A | 2013 | 80-98 | Citation 417 |
418 | Franks, Matt | Mrs. Ramsay's Queer Generationality | Virginia Woolf Miscellany 82 | N/A | N/A | N/A | N/A | 2012 | 15-17 | Citation 418 |
419 | Franks, Matt | "Serving on the Eugenic Homefront: Virginia Woolf, Race, and Disability" | Feminist Formations 29.1 | N/A | N/A | N/A | N/A | 2017 | 1-24 | Citation 419 |
420 | Gabler, Hans Walter | From Memory to Fiction: An Essay in Genetic Criticism | The Cambridge Companion to to the Lighthouse | N/A | Allison Pease | N/A | Cambridge UP | 2015 | 146-157 | Citation 420 |
421 | Garnier, Marie-Dominique | Following Suit(e): Virginia Woolf, Carlyle, Deleuze | Tour Critique 2 | N/A | N/A | N/A | N/A | 2013 | 515-527 | Citation 421 |
422 | Goldman, Jane | Crusoe's Dog(s): Woolf and Derrida (between Beast and Sovereign) | Tour Critique 2 | N/A | N/A | N/A | N/A | 2013 | N/A | Citation 422 |
423 | Goldman, Jane | to the Lighthouse's Use of Language and Form | The Cambridge Companion to to the Lighthouse | N/A | Allison Pease | N/A | Cambridge UP | 2015 | 30-46 | Citation 423 |
424 | Groover, Kristina K. | Renascence: Essays on Values in Literature 66.3 | N/A | N/A | N/A | N/A | N/A | 2014 | 217-229 | Citation 424 |
425 | Heney, Alison | Kandinsky's 'on the Problem of Form' and the Fiction of Virginia Woolf | Virginia Woolf Miscellany 80 | N/A | N/A | N/A | N/A | 2011 | 18-19 | Citation 425 |
426 | Hevert, Mark | As Fist to Wanton Boys: Animal Suffering in to the Lighthouse | Virginia Woolf Miscellany 84 | N/A | N/A | N/A | N/A | 2013 | 26-28 | Citation 426 |
427 | Hinnov, Emily M. | Teaching Modernism through the Phantasmic Mother: Maternal Longing in Virginia Woolf's Fiction and Gertrude Käsebier's Photography. | Communal Modernisms: Teaching Twentieth-Century Literature and Culture in the Twenty-First-Century Classroom | N/A | Emily M. Hinnov, et al. | N/A | Palgrave Macmillan | 2013 | 21-37 | Citation 427 |
428 | Hinnov, Emily M. | The Daughters of the 'Tyrant Father' in Virginia Woolf and Katherine Mansfield | Virginia Woolf Miscellany 86 | N/A | N/A | N/A | N/A | 2014 | 16-19 | Citation 428 |
429 | Högberg, Elsa | Le(s) Chien(s) De Crusoé: Woolf Et Derrida (Entre Bête Et Souverain). | Tour Critique 2 | N/A | N/A | N/A | N/A | 2013 | 489-502 | Citation 429 |
430 | Högberg, Elsa | Virginia Woolf's Object-Oriented Ecology | Virginia Woolf: Writing the World. | N/A | Pamela L. Caughie and Diana L. Swanson | N/A | Clemson University Digital | 2015 | 148-153 | Citation 430 |
431 | Igrutinović, Danica | Water as Metaphor in Virginia Woolf's to the Lighthouse: Out there in the Floods Alone | Philologia: Naučno-Stručni Časopis za Jezik, Književnost i Kulturu/Scientific-Professional Journal for Language, Literature and Cultural Studies 1 | N/A | N/A | N/A | N/A | 2012 | 111-118 | Citation 431 |
432 | Ikeo, Reiko | Connectives 'but' and 'for' in Viewpoint Shifting in Woolf's to the Lighthouse. | Language and Literature: Journal of the Poetics and Linguistics Association 23.4 | N/A | N/A | N/A | N/A | 2014 | 331-346 | Citation 432 |
433 | Johnson, Allan. | The Doors would be Taken Off their Hinges': Space, Place and Architectural Absence in Virginia Woolf. | A Journal of English Language and Literature 97.4 | N/A | N/A | N/A | N/A | 2016 | 412-419 | Citation 433 |
434 | Kaivola, Karen | Revisiting the Ramsays: Love, Alterity, and the Ethical Experience of the Impossible in Virginia Woolf's to the Lighthouse | Lit: Language Interpretation Theory 24.3 | N/A | N/A | N/A | N/A | 2013 | 202-225 | Citation 434 |
435 | Karabulut, Demet | Liminality of the Lighthouse Image in Virginia Woolf's To the Lighthouse | International Journal of Arts & Sciences 8.1 | N/A | N/A | N/A | N/A | 2015 | 403-407 | Citation 435 |
436 | Kavaloski, Joshua | High Modernism: Aestheticism and Performativity in Literature of the 1920s | N/A | N/A | N/A | N/A | Boydell & Brewer | 2014 | N/A | Citation 436 |
437 | Kearney, Richard | Eucharistic Imaginings in Proust and Woolf | Material Spirit: Religion and Literature Intrascendent | N/A | Gregory C Stallings, Manuel Asensi, Carl Good | N/A | Fordham UP | 2013 | 11-34 | Citation 437 |
438 | Kolosov, Jacqueline | Pilgrimage to St. Ives | Sewanee Review 123.3 | N/A | N/A | N/A | N/A | 2015 | 470-486 | Citation 438 |
439 | Lacivita, Alison | 'Diamond-Cut Red Eyes': Insect Perspectives in to the Lighthouse and Between the Acts | Virginia Woolf Miscellany 84 | N/A | N/A | N/A | N/A | 2013 | 11-13 | Citation 439 |
440 | Levenson, Michael | Narrative Perspective in to the Lighthouse | The Cambridge Companion to to the Lighthouse | N/A | Allison Pease | N/A | Cambridge UP | 2015 | 19-29 | Citation 440 |
441 | Lewis, Cara | Still Life in Motion: Mortal Form in Woolf's To the Lighthouse | Twentieth Century Literature 60.4 | N/A | N/A | N/A | N/A | 2014 | 423-454 | Citation 441 |
442 | Lichterfeld, Imke. | 'It was as if the Water Floated Off and Set Sailing Thoughts": Images of Loss and the Sea in Virginia Woolf's To the Lighthouse and John Banville's th | Literatur in Wissenschaft und Unterricht 44.2-3 | N/A | N/A | N/A | N/A | 2011 | 213-220 | Citation 442 |
443 | Lin, Lidan | Global Resonances of Modernism and Feminism in Virginia Woolf and She Congwen | Journal of East-West Thought 4.5 | N/A | N/A | N/A | N/A | 2015 | 41-55 | Citation 443 |
444 | Longworth, Deborah, and Alexandra Harris | Skipping Around the Lighthouse | The Higher Education Supplement: THE.2016 | N/A | N/A | N/A | N/A | 2011 | 58 | Citation 444 |
445 | López, María J. | Writers, Friends and Lovers: Virginia Woolf, G. E. Moore and the Aesthetics of Personal Relations | Ethics of Alterity, Confrontation and Responsibility in 19th-to-21st-Century British Literature | N/A | Christine Reynier and Jean-Michel Ganteau | N/A | PU de la Méditerranée | 2013 | 107-119 | Citation 445 |
446 | Lostoski, Leanna | "Imaginations of the Strangest Kind": The Vital Materialism of Virginia Woolf" | Journal of the Midwest Modern Language Association 49.1 | N/A | N/A | N/A | N/A | 2016 | 53-74 | Citation 446 |
447 | Luttrell, Rosemary | Virginia Woolf's Emersonian Metaphors of Sight in the Lighthouse: Visionary Oscillation | Journal of Modern Literature 36.3 | N/A | N/A | N/A | N/A | 2013 | 69-80 | Citation 447 |
448 | Mackinlay, Elizabeth | In Danger of Writing: Performing the Poetics and Politics of Autoethnography with Hélène Cixous and Virginia Woolf | Qualitative Research Journal 15.2 | N/A | N/A | N/A | N/A | 2015 | 189-201 | Citation 448 |
449 | Makinen, Meria | Agatha Christie in Dialogue with To the Lighthouse: The Modernist Artist | The Ageless Agatha Christie: Essays on the Mysteries and the Legacy | N/A | J. C. Bernthal | N/A | McFarland | 2016 | 11-28 | Citation 449 |
450 | Manderson, Desmond | Modernism and the Critique of Law and Literature | The Australian Feminist Law Journal 35 | N/A | N/A | N/A | N/A | 2011 | 107-125 | Citation 450 |
451 | Martin, Kristy | Virginia Woolf, Sympathy and Feeling for the Human | Towards a New Literary Humanism | N/A | N/A | N/A | Palgrave Macmillan | 2011 | 44-58 | Citation 451 |
452 | McIntire,Gabrielle | Feminism and Gender in to the Lighthouse | The Cambridge Companion to to the Lighthouse | N/A | Allison Pease | N/A | N/A | 2015 | 80-91 | Citation 452 |
453 | McLoughlin, Catherine Mary | "the Modernist Party as Pedagogy" | Journal of Modern Literature 38.3 | N/A | N/A | N/A | N/A | 2015 | 86-98 | Citation 453 |
454 | McLoughlin, Kate | "Woolf's Crotchets: Textual Cryogenics in To the Lighthouse" | Textual Practice 28.6 | N/A | N/A | N/A | N/A | 2014 | 949-967 | Citation 454 |
455 | McQuail, Josephine A. | 'How Can Life be Still?' Teaching Janet Frame's A State of Siege and Virginia Woolf's To the Lighthouse | Antipodes: A North American Journal of Australian Literature 29.1 | N/A | N/A | N/A | N/A | 2015 | 57-70 | Citation 455 |
456 | Mills, Jean | To The Lighthouse: The Critical Heritage | The Cambridge Companion to to the Lighthouse | N/A | Allison Pease | N/A | N/A | 2015 | 158-171 | Citation 456 |
457 | Moise, Gabriella | "Engulfing Mirroring in To the Lighthouse" | Hungarian Journal of English and American Studies 21.1 | N/A | N/A | N/A | N/A | 2015 | 103-121 | Citation 457 |
458 | Monaco, Beatrice | 'Nothing is Simply One Thing': Woolf Deleuze and Difference. | Deleuze Studies 7.4 | N/A | N/A | N/A | N/A | 2013 | 456-474 | Citation 458 |
459 | Montashery, Iraj | Virginia Woolf and the Exploration of the Third Gender | International Journal of Comparative Literature and Translation Studies 1.1 | N/A | N/A | N/A | N/A | 2013 | 1-10 | Citation 459 |
460 | Morini, Massimiliano | Translation, Stylistics and To the Lighthouse: A Deictic Shift Theory Analysis | Target: International Journal of Translation Studies 26.1 | N/A | N/A | N/A | N/A | 2014 | 128-145 | Citation 460 |
461 | Müller, Timo | Virginia Woolf, to the Lighthouse (1927) | The Handbook of the English Novel of the Twentieth and Twenty-First Centuries | N/A | Christopher Reinfandt | N/A | de Gruyter | 2017 | 195-212 | Citation 461 |
462 | Nagel, Rebecca | Hellenism and Loss in the Work of Virginia Woolf | Aspasia 6 | N/A | N/A | N/A | N/A | 2012 | 201-203 | Citation 462 |
463 | Newman, Hilary | An Echo from Hamlet in to the Lighthouse? | Virginia Woolf Miscellany 87 | N/A | N/A | N/A | N/A | 2015 | 39 | Citation 463 |
464 | Newman, Hilary | 'An Influence upon Novelists … Out of all Proportion to His Own Popularity': Thomas Love Peacock and Virginia Woolf | Virginia Woolf Bulletin of the Virginia Woolf Society of Great Britain 47 | N/A | N/A | N/A | N/A | 2014 | 23-32 | Citation 464 |
465 | Nishimura, Satoshi | Personification and Narrative: The Blurred Boundaries of the Inanimate in Hardy and Woolf | Narrative 23.1 | N/A | N/A | N/A | N/A | 2015 | 27-39 | Citation 465 |
466 | Onans, Rose | Seeking the Self in the Garden: Class, Femininity and Nature in to the Lighthouse, 'Bliss' and 'the Garden Party' | Virginia Woolf Miscellany 86 | N/A | N/A | N/A | N/A | 2014 | 21-23 | Citation 466 |
467 | Oya, Reiko | 'Or was it Sh-p-Re?' Shakespeare in the Manuscript of Virginia Woolf's to the Lighthouse | Women Making Shakespeare: Text, Reception and Performance | N/A | Gordon McMullan, Lena Cowen Orlin and Virginia Mason Vaughan | N/A | Arden Shakespeare | 2014 | 207-217 | Citation 467 |
468 | Park, Hyung Shin | Narrative for Memory and Mourning Beyond a Public and Private Dichotomy in to the Lighthouse | British and American Fiction 19.3 | N/A | N/A | N/A | N/A | 2012 | 87-123 | Citation 468 |
469 | Pearson, Nels | Woolf's Spatial Aesthetics and Postcolonial Critique | A Companion to Virginia Woolf | N/A | Jessica Berman | N/A | Wiley-Blackwell | 2016 | 427-40 | Citation 469 |
470 | Pease, Allison | The Cambridge Companion to to the Lighthouse | N/A | N/A | N/A | N/A | Cambridge UP | 2015 | N/A | Citation 470 |
471 | Phelps, Andrew | Something Fishy: Sniffing Out the Shape of Trauma and Transformation in to the Lighthouse | Virginia Woolf Miscellany 84 | N/A | N/A | N/A | N/A | 2013 | 28-30 | Citation 471 |
472 | Prudente, Teresa | 'The Daily Bread of Experience': The Transfiguration of Materiality in Joyce's and Woolf's Writing | English: The Journal of the English Association 60.229 | N/A | N/A | N/A | N/A | 2011 | 142-158 | Citation 472 |
473 | Rancière, Jacques | 'The Wandering Thread': On the Rationality of the Novel | Tour Critique 2 | N/A | N/A | N/A | N/A | 2013 | 1-14 | Citation 473 |
474 | Rauve-Davis, Rebecca | Whole Like a Wave: Woolf's Husserlian Materiality | Virginia Woolf Miscellany 85 | N/A | N/A | N/A | N/A | 2014 | 23-26 | Citation 474 |
475 | Restuccia, Frances L. | A Messianic Aesthetic: Lily Briscoe's Vision | Genre: Forms of Discourse and Culture 49.1 | N/A | N/A | N/A | N/A | 2016 | 1-25 | Citation 475 |
476 | Lane Fox, Robin | "What the Gardens of Virginia Woolf and Vanessa Bell Reveal | FT.com | N/A | N/A | N/A | N/A | 2013 | N/A | Citation 476 |
477 | Rundquist, Eric | How is Mrs. Ramsay Thinking? The Semantic Effects of Consciousness Presentation Categories within Free Indirect Style | Language and Literature: Journal of the Poetics and Linguistics Association 23.2 | N/A | N/A | N/A | N/A | 2014 | 159-174 | Citation 477 |
478 | Ryan, Derek | Virginia Woolf and the Materiality of Theory: Sex, Animal, Life | N/A | N/A | N/A | N/A | Edinburgh UP | 2013 | N/A | Citation 478 |
479 | Ryan, Derek | Woolf and Contemporary Philosophy | Virginia Woolf in Context | N/A | Bryony Randall and Jane Goldman | N/A | Cambridge UP | 2012 | 362-375 | Citation 479 |
480 | Salas, Gerardo Rodríguez and Isabel María Andrés Cuevas | 'My Insides are All Twisted Up': When Distortion and the Grotesque become 'The Same Job' in Katherine Mansfield and Virginia Woolf | Katherine Mansfield and Literary Modernism | N/A | Jane Wilson et al. | N/A | Continuum | 2011 | 139-148 | Citation 480 |
481 | Saloman, Randi | Virginia Woolf's Essayism | N/A | N/A | N/A | N/A | Edinburgh UP | 2012 | N/A | Citation 481 |
482 | Scheck, Dominic | Sundered Waters: Isolated Consciousness and Ostensible Communion in Woolf's Narration | Virginia Woolf and the Natural World | N/A | Kristin Czarnecki and Carrie Rohman | N/A | Clemson University Digital | 2011 | 208-213 | Citation 482 |
483 | Seshagiri, Urmila | To the Lighthouse and the Art of Race | The Cambridge Companion to to the Lighthouse | N/A | Allison Pease | N/A | Cambridge UP | 2015 | 92-109 | Citation 483 |
484 | Sheehan, Paul | Time as Protagonist in to the Lighthouse | The Cambridge Companion to to the Lighthouse | N/A | Allison Pease | N/A | Cambridge UP | 2015 | 47-57 | Citation 484 |
485 | Sicari, Steve | Repetition in Modern Fiction: From Paralysis to Hope | Reading Texts, Reading Lives: Essays in the Tradition of Humanist Cultural Criticism in Honor of Daniel R. Schwarz | N/A | Helen N. Maxson and Daniel Morris | N/A | U of Delaware P | 2012 | 115-133 | Citation 485 |
486 | Sigouin, Kim | 'The Problem of Space': Embodied Language and the Body in Nature in to the Lighthouse | Virginia Woolf: Writing the World. | N/A | Pamela L. Caughie and Diana L. Swanson | N/A | Clemson University Digital | 2015 | 167-172 | Citation 486 |
487 | Sim, Lorraine | Ordinary Matters: Modernist Women's Literature and Photography | N/A | N/A | N/A | N/A | Bloomsbury Academic | 2016 | N/A | Citation 487 |
488 | Spangenberg, Ann | 'That Fluidity Out There': Sea and Water Imagery in Virginia Woolf's To the Lighthouse | Literatur in Wissenschaft und Unterricht 44.2-3 | N/A | N/A | N/A | N/A | 2011 | 203-212 | Citation 488 |
489 | Stephens, Mitchell | Thinking through Moving Media | Social Research 78.4 | N/A | N/A | N/A | N/A | 2011 | 1133-1154 | Citation 489 |
490 | Stevenson, Randall | Woolf and Modernity: Crisis and Catoptrics | Virginia Woolf in Context | N/A | Byrony Randall and Jane Goldman | N/A | Cambridge UP | 2012 | 149-158 | Citation 490 |
491 | Stewart, Jack | Virginia Woolf's 'Surreal' Imagery in Mrs. Dalloway and to the Lighthouse | Symbolism: An International Annual of Critical Aesthetics 12-13 | N/A | N/A | N/A | N/A | 2013 | 299-320 | Citation 491 |
492 | Sutton, Timothy | 'Caught Happy in a World of Misery': Art and Leisure in To the Lighthouse | Journal of the Midwest Modern Language Association 47.2 | N/A | N/A | N/A | N/A | 2014 | 61-90 | Citation 492 |
493 | Tildesley, Matthew | Knocking on the Lighthouse Gate: Further Connections between Thomas De Quincey and Virginia Woolf's To the Lighthouse | Neophilologus 98.3 | N/A | N/A | N/A | N/A | 2014 | 517-525 | Citation 493 |
494 | Tobin, Vera | Joint Attention, To the Lighthouse, and Modernist Representations of Intersubjectivity | Textual Choices in Discourse: A View from Cognitive Linguistics | N/A | Barbara Dancygier, José Sanders, and Lieven Vandelanotte | N/A | Benjamins | 2012 | 45-62 | Citation 494 |
495 | Toth, Naomi | 'The Very Jar on the Nerves': Reading Lily Briscoe's Painting with Phenomenology | Tour Critique 2 | N/A | N/A | N/A | N/A | 2013 | 339-352 | Citation 495 |
496 | Tromanhauser, Vicki | Eating Well with the Ramsays: The Spirituality of Meat in to the Lighthouse | Virginia Woolf Miscellany 80 | N/A | N/A | N/A | N/A | 2011 | 14-16 | Citation 496 |
497 | Turner, Merrill | The Chekhovian Point of View in Virginia Woolf's to the Lighthouse | Modern Language Quarterly: A Journal of Literary History 74.3 | N/A | N/A | N/A | N/A | 2013 | 391-412 | Citation 497 |
498 | Uhlmann, Anthony | Thinking in Literature: Joyce, Woolf, Nabokov | N/A | N/A | N/A | N/A | Continuum | 2011 | N/A | Citation 498 |
499 | Ulvydienė, Loreta, and Giedrė Buivytė | Embodiment of the Concept of Time in William Faulkner's As I lay Dying and Virginia Woolf's To the Lighthouse | Respectus Philologicus 23.28 | N/A | N/A | N/A | N/A | 2013 | 58-66 | Citation 499 |
500 | Vadillo, Ana Parejo | Generational Difference in To the Lighthouse | The Cambridge Companion to to the Lighthouse | N/A | Allison Pease | N/A | Cambridge UP | 2015 | 122-135 | Citation 500 |
501 | Van Dijck, Cedric | "Time on the Pulse: Affective Encounters with the Wristwatch in the Literature of Modernism and the First World War" | Modernist Cultures 11.2 | N/A | N/A | N/A | N/A | 2016 | 161-178 | Citation 501 |
502 | Varga, Adriana, and Mihály Szegedy-Maszák. | Virginia Woolf and Music | N/A | N/A | N/A | N/A | Indiana UP | 2014 | N/A | Citation 502 |
503 | Veyu, Ernest L. | Mind, Emotions, and Mourning in Virginia Woolf's To the Lighthouse | Faultlines in Postcoloniality: Contemporary Readings | N/A | Ernest L. Veyu and Valentine N. Ubanako | N/A | Cambridge Scholars | 2014 | 20-36 | Citation 503 |
504 | Vladiv-Glover, Slobanka | Virginia Woolf's To the Lighthouse (1927): A Reading Through the Phenomenology of Consciousness | Scholarship as the Art of Life: Contributions on Serbian Literature, Culture, and Society by Friends of Radmila (Rajka) Gorup | N/A | Slobanka Vladiv-Glover | N/A | Slavica | 2016 | 101-114 | Citation 504 |
505 | Williams, Melanie | Liminal Tensions in Public to Private Conceptions of Justice: Nussbaum, Woolf and the Struggle for Identity | Liminal Discourses: Subliminal Tensions in Law and Literature | N/A | Daniela Carpi and Jeanne Gaakeer | N/A | de Gruyter | 2013 | 53-72 | Citation 505 |
506 | Wilson, Mary | The Labors of Modernism: Domesticity, Servants and Authorship in Modernist Fiction | N/A | N/A | N/A | N/A | Ashgate | 2013 | N/A | Citation 506 |
507 | Wisker, Gina | Places, People and Time Passing: Virginia Woolf's Haunted Houses | Hecate 37.1 | N/A | N/A | N/A | N/A | 2011 | 4, 26, 188 | Citation 507 |
508 | Woolf, Emma | The Joyful, Gossipy and Absurd Private Life of Virginia Woolf | Newsweek | N/A | N/A | N/A | N/A | 2015 | N/A | Citation 508 |
509 | Yünlü, Zehra, and Beture Memmedova | Spiritual Pain in To the Lighthouse | Süleyman Demirel Üniversitesi Fen-Edebiyat Fakültesi Sosyal Bilimler Dergisi 23 | N/A | N/A | N/A | N/A | 2011 | 187-196 | Citation 509 |
510 | Zhao, Mingzhu | The Art of Balance: A Corpus-Assisted Stylistic Analysis of Woolfian Parallelism in to the Lighthouse | International Journal of English Studies 12.2 | N/A | N/A | N/A | N/A | 2012 | 39-58 | Citation 510 |
511 | Zumhagen-Yekplé, Karen. | Our Toil Respite Only: Woolf, Diamond, and the Difficulty of Reality | Mln 130.5 | N/A | N/A | N/A | N/A | 2015 | 1100-1129 | Citation 511 |
512 | Noh, Young Shin | To the Lighthouse: Androgynous Vision and Women's Consciousness | Studies in British and American Language and Literature 119 | N/A | N/A | N/A | N/A | 2015 | 71-92 | Citation 512 |
513 | Park, Hyungshin | The Garden and Ecofeminism in to the Lighthouse | Studies in British and American Language and Literature 123 | N/A | N/A | N/A | N/A | 2016 | 59-76 | Citation 513 |