loved her; Lady Monteagle loved her; and "even Lord Monteagle, who likes
eccentricity in no other form, likes her." It was impossible, they found, not
to love that "genial, ardent, and generous" woman, who had "a power of
loving which I have never seen exceeded, and an equal determination to be
loved." If it was impossible to reject her affection, it was even dangerous to
reject her shawls. Either she would burn them, she threatened, then and there,
or, if the gift were returned, she would sell it, buy with the proceeds a very
expensive invalid sofa, and present it to the Putney Hospital for Incurables with
an inscription which said, much to the surprise of Lady Taylor, when she
chanced upon it, that it was the gift of Lady Taylor herself. It was better, on
the whole, to bow the shoulder and submit to the shawl.
Meanwhile she was seeking some more permanent expression of her
abundant energies in literature. She translated from the German, wrote poetry,
and finished enough of a novel to make Sir Henry Taylor very nervous lest he
should be called upon to read the whole of it. Volume after volume was
despatched through the penny post. She wrote letters till the postman left,
and then she began her postscripts. She sent the gardener after the postman,
the gardener's boy after the gardener, the donkey galloping all the way to Yar-
mouth after the gardener's boy. Sitting at Wandsworth Station she wrote page
after page to Alfred Tennyson until "as I was folding your letter came the
screams of the train, and then the yells of the porters with the threat that the
train would not wait for me," so that she had to thrust the document into strange
hands and run down the steps. Every day she wrote to Henry Taylor, and
every day he answered her.
Very little remains of this enormous daily volubility. The Victorian age
killed the art of letter writing by kindness: it was only too easy to catch the
post. A lady sitting down at her desk a hundred years before had not only
certain ideals of logic and restraint before her, but the knowledge that a letter
which cost so much money to send and excited so much interest to receive was
worth time and trouble. With Ruskin and Carlyle in power, a penny post to
stimulate, a gardener, a gardener's boy, and a galloping donkey to catch up
the overflow of inspiration, restraint was unnecessary and emotion more to a
lady's credit, perhaps, than common sense. Thus to dip into the private letters
of the Victorian age is to be immersed in the joys and sorrows of enormous
families, to share their whooping coughs and colds and misadventures,
day by day, indeed hour by hour. The standard of family affection
was very high. Illness elicited showers of enquiries and kindnesses. The
weather was watched anxiously to see whether Richard would be wet at Chelten-